... in Nora physically than emotionally. When Nora responds by saying "Go away, Torvald! Leave me alone. I don't want all this", Torvald asks "Aren't I your husband?". By saying this, he is implying that one of Nora's duties as his wife is to physically pleasure him at his command. Torvald also does not trust Nora with money, which exemplifies Torvald's treating Nora as a child. On the rare occasion when Torvald gives Nora some money, he is concerned that she will waste it on candy and pastry; in modern times, this would be comparable to Macauly Culkin being given money, then buying things that "would rot his mind and his body" in the movie Home Alone. No ...
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... himself (Boyce 653). His tragic flaw, being indecisive and too thoughtful, takes on a serious tone, compelling the audience to react accordingly. Hamlet is just one of the many central characters in Shakespeare's plays who have fallen "victim of his own strength" (652). Magnitude is another element in tragedy, found mainly in characterization. During the Elizabethan and Greek era, tragedies revolved around people of great importance as opposed to other ages where the protagonists were ordinary men of inconsequential titles ("Tragedy" 306). Hamlet, being a typical tragedy, evolves itself in the noble realms of Denmark where he, the prince of Denmark, was usurped ...
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... in a conflict. There are 5 main roles; there is cause, an instigator, retaliator, passivist, and moderator. The first is the cause, which can be a person or thing, that starts everything, and sometimes people don’t even realize that they are playing this part. In Romeo and Juliet, one of the causes is the ancient feud between the families. Tybalt says “What, drawn and talk of peace? I hate the word, as I hate hell, all Montagues and thee.” (1.1.61-62) The second is the instigator, who is usually very mean, and something that they do or say, is usually the cause of conflict. What this person does or says is meant to provoke someone. Tybalt says to Romeo “R ...
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... to us. What is more important, however, is that how the technology works is irrelevant for the purpose of the movie, which is to entertain and to teach us a lesson about man's control over the elements and over his own technological creations. At this point a brief synopsis of the movie would seem to be in order, with special attention as to how it relates to The Tempest. In The Tempest, a man named Prospero and his daughter Miranda have been exiled to a remote island which is completely uninhabited, save for an evil monster and her son Caliban, and which is in a state of primal chaos. Using the magical powers he has cultivated all his life, Prospero gradua ...
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... She married rather early at the age of sixteen to whom a boy she believed was a perfect gentleman. He was sensitive, understanding, and civilized much like herself coming from an aristocratic background. She was truly in love with Allen whom she considered perfect in every way. Unfortunately for her he was a homosexual. As she caught him one evening in their house with an older man, she said nothing, permitting her disbelief to build up inside her. Sometime later that evening, while the two of them were dancing, she told him what she had seen and how he disgusted her. Immediately, he ran off the dance floor and shot himself, with the gunshot forever staying ...
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... always eager to gain endowment, would jump at the chance to acquire that power as soon as possible, no matter what they had to do. This is the situation Macbeth was in. He was seeking the throne, and only wanted to find a faster way to obtain that authority, thus he killed, lied, and cheated his way to that place of honor. Readers may debate that Macbeth was indeed insane, thus leading the reader to believe that he was not representative of a typical human. This is true, yet any human can be insane, which further proves the validity that Macbeth was a common individual. Perhaps driven to insanity, no evidence exists to say that Macbeth was not ordinary, w ...
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... that Othello is able to make such a quick transition from love to hate of Desdemona. In Act 3, Scene 3, Othello states, "If she be false, O, then heaven mocks itself! I'll not believe 't." (lines 294-295) Yet only a couple hundred lines later he says, "I'll tear her to pieces" (line 447) and says that his mind will never change from the "tyrannous hate" (line 464) he now harbors. Does Othello make the transition just because he is so successfully manipulated by Iago? Or is there something particular about his character which makes him make this quick change? I believe that "jealousy" is too simple of a term to describe Othello. I think that Othello's rapid change f ...
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... figure with close resemblance to the late king. The ghost reveals to Hamlet that while in the garden, Claudius poured poison in his ear. Claudius prays to be forgiven but his prayers are not sincere. Claudius, overcome with guilt, would prefer to keep his status then reveal what he did to King Hamlet. The play within the play is useful because it allows Hamlet to verify the validity of the ghost. Usually plays are intended for entertainment purposes. The play is not real and the actors are playing a role. In reality Hamlet makes it so that it is similar to what really happened to his father. Hamlet even goes as far as to instruct the actors appropria ...
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... (Scene 5, Line 42). Such inventions of Creon prove to be both counter-productive and foolish, for Teiresias did speak the truth and Creon is only further drawn into his false reality dictated by hubris. Creon's fatal flaw overcomes him in a discussion with his son. Haimon confronts his father about Creon's reckless and unreasonable actions dealing with Antigone. His hubris transcends his better judgement and causes Creon to become defensive. Creon then ignores his son's recommendations on the basis of age and seniority as follows: "You consider it right for a man of my years and experience to go to a school a boy?" (Scene 3, Line 95). H ...
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... states that the King must not challenge the position that God has given him. This undermining of God's authority results in chaos that tears apart Lear's world. (Williams) Leaving him, in the end, with nothing. Following this Lear begins to banish those around him that genuinely care for him as at this stage he cannot see beyond the mask that the evil wear. He banishes Kent, a loyal servant to Lear, and his youngest and previously most loved daughter Cordelia. (Nixon) This results in Lear surrounding himself with people who only wish to use him which leaves him very vulnerable attack. This is precisely what happens and it is through this that he discovers his wr ...
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