... Shakespeare does not directly pit Ophelia's insanity (or breakdown) against Hamlet's madness, there is instead a clear definitiveness in Ophelia's condition and a clear uncertainty in Hamlet's madness. Obviously, Hamlet's character offers more evidence, while Ophelia's breakdown is quick, but more conclusive in its precision. Shakespeare offers clear evidence pointing to Hamlet's sanity beginning with the first scene of the play. Hamlet begins with guards whose main importance in the play is to give credibility to the ghost. If Hamlet were to see his father's ghost in private, the argument for his madness would greatly improve. Yet, not one, but three men to ...
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... Similarly, the king orders Cromwell, his assistant, to apply pressure by finding a reason to kill More, to force him out of the way. All of these pressures from the king lead to a moral dilemma that More has to face, but he chooses to stick to his morals. King Henry applies pressure on More to support the divorce through Meg. While More is in jail for failing to take an oath supporting the divorce, Meg tries to convince him to take the oath, and she says, "Say the words of the oath and in your heart think otherwise," (page 81). More responded to this by saying, "What is an oath then but words we say to god?" (page 81). Meg is applying direct pressure on Mor ...
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... of restoring had been. Removing all of the glue and varnish from the past was a good idea and then patching up the areas that needed it and doing it consistantly and using the same style he does makes the paintings reveal Michelangelo's talent and the charactaristics of his characters. Marking and bringing it to attention which areas had the restorations applied to is a very good idea. I think that by going about trying to get these portraits back to their original style was not only an appreciative thing to do but it also gained us knowledge of Michelangelo and his style of painting. It revealed us a little more to know of Michelangelo and what went on dur ...
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... After Creon tells her the story about her brother’s bodies, she takes the stance that she must bury her brother for herself. That all but erases the thought of her, as a hero because all of her actions that were thought to have been done for Polynices were only done to satisfy her own needs. The one characteristic of Antigone that seems to be constant throughout the play is her stubbornness. From the beginning of the play when she sneaks out to bury her brother after Creon had specifically told her not to, all the way to the end when she is given the opportunity to marry Haemon and go on living but forces her own death. She always seemed to fight everyth ...
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... in the silence of the lambs. My first interpretation of Clarice was that she was very bright and observant. She reads people very well and is quick to make an accurate judgement, as in with Frederick Chilton, the prison warden. I believed that she was a very strong woman and was very careful to appear that way to others. Clarice Starling did have a large change in herself. She began the story with a careful mentality; a risk would have been unheard of. She was always making sure she was doing something to the best expectations of someone else. As the story moves on, she becomes more daring and risk-taking than ever before. From disobeying direct orders to ...
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... on the performance due to casting. The actors learned to look and to act like Indians which is what characterization is all about. Another reason to cast Eurocentric actors is there are many characters in the play. It would be very difficult to cast Indians in every role. Martinez even double and triple cast to accommodate for the many roles. This is a common occurrence in theater productions. I was not very impressed with the performances as different characters. It was difficult to distinguish one role from another. The Indians were dressed so similarly that it was difficult to tell them apart. When one Indian changed characters to a different Indian ...
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... so with the style of a later author and thinker, the somtimes surreal William S. Burroughs and the "cut-up" method he employed. This deconstructed style could be argued to be either inferior to traditional language structure in its confusion, or superior in its sense of purity, creating images and sensations, not restriciting the reader to mere words. Lucky's speech is preceded by Vladimir reqesting Pozzo make Lucky speak. Pozzo insits that Lucky needs his hat to do so. After Lucky has his hat placed upon his head, Pozzo orders him to "Think!" Lucky begins, while the others create a sense confusion: Pozzo becomes increasingly appalled by Lucky's words, while V ...
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... popular film starring Daniel Day Lewis as a white scout named Hawkeye raised as a Mohican in The Last of the Mohicans (1992)), Francis Parkman's The Oregon Trail (1849), Samuel Clemens' (Mark Twain) Roughing It (1872), Bret Harte's short stories, and other mythologies (tales of Davy Crockett, Daniel Boone, Jim Bowie, Gen. George A Custer, Calamity Jane, and outlaws such as the James Brothers, the original Butch Cassidy and the Sundance Kid, and Billy the Kid). Westerns are often set on the American frontier during the last part of the 19th century (1865-1900) following the Civil War, in a geographically western (trans-Mississippi) setting with romantic, sweeping fro ...
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... Lena has the ^noble bearings of the women of the heroes of the Southwest Africa , but she totally ignores her African past and does not care much about it either^ (Cheney 59). Asagai Beneatha^s acquaintance talks allot about his African past and believes deeply in his culture and heritage. He is from Nigeria where there is a lot of poverty. is a quiet celebration of the black family the importance of African roots, the equality of women, the vulnerability of marriage, the true value of money, the survival of the individual and the nature of mans dreams (Cheney 55). Africa is a great part of the play because it brings out good and humorous elements in the ...
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... a good friend of Desdemona's and she worked against her friend without knowing it. She took Desdemona's handkerchief because Iago said he wanted it. Iago then placed the handkerchief in Cassio's room to make him look guilty. Also, throughout the play, it seemed that Othello was the only one who didn't know the truth. Shakespeare uses situational irony well to make the story more interesting. The verbal irony in this novel can sometimes be humorous because of how ironic it is. Othello often said things that were actually the opposite of Iago: "O, thou art wise! 'Tis certain"(IV.I.87), "Honest Iago . . . "(V.II.88), (II.III.179) & (I.III.319), "I ...
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