... were not for costumes the result of love might have been drastically different. How was the masque used to get lovers together? In the case of Romeo and Juliet, Romeo hears about the masque and decides to go, thinking that he might be able to get away with this scheme. Upon entering he sees Juliet and right away, he knows it is love. If he had not worn the costume, the hosts might have ejected him from the party and he might not have met Juliet. Much Ado About Nothing has a similar but also different approach towards love at the masque. In Much Ado, Count Claudio is not able to gather the courage to court Hero. Instead Don Pedro, who is one of Claudio's very close ...
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... by her obeying her father’s orders. For instance, Arthur Eastman states: “Hamlet vents upon Ophelia; it is his sense of outrage at Ophelia, that she could place obedience to her father before her love for him” (194). Hamlet does not understand her obedience to Polonius. Therefore, in the Nunnery Scene, Hamlet confesses to Ophelia that, “I loved you not” (3.1.117). He has too much pride and rage to confess his love for her. In essence, “Pretty Ophelia,” as Claudius calls her, is the most innocent victim of Hamlet’s revenge. Hamlet fell in love with Ophelia after the depressing event of his father’s death. According to Arthur Eastman, Hamlet thought of his mot ...
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... 2, Scene 3), he is saying that the only reason he will marry Romeo and Juliet is because he hopes that the marriage will end the hostilities between the two houses. When he says "Shall Romeo by my letters know our drift, and hither shall he come; and he and I shall watch thy waking, and that very night shall Romeo bear thee to Mantua." (Act 4, Scene 1), he tells Juliet how everything will be all right. Unfortunately, for all his good intentions the play still ends in tragedy. Friar Lawrence is a man who is not afraid to take risks when he feels it is neccesary to help someone. For example in Act 2, Scene 6, when he marries Romeo and Juliet, he is risking his ...
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... scenes they used overly romantic language and metaphor, whereas, now they speak to one another of their love in a mature and tender way. They will do anything to be with one another, for their love surpasses any emotion for their familial or community ties. They are willing to make any sacrifice in order to have their desire for one another fulfilled. Both Romeo and Juliet enjoy each other's company on their first morning together following their marriage and they do not want to part. Juliet's first visible transformation to adulthood is revealed here. In Romeo's desire to be with Juliet, he is willing to risk capture, and most probably death, in being foun ...
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... resist we die." Neither action nor inaction was the key to salvation. Ryker's statement was based on a physical world; the Tao goes beyond action or inaction of a physical sense. The Tao Te Ching states, "the Master does nothing, yet leaves nothing undone."(pg. 38) The Master does not rely on the world of the senses to decide her action. Everything the crew of the enterprise tried to do was based on overpowering the trap. "More energy, faster adjustments. But that's exactly what we can't do because that's what we're supposed to do."(Star Trek La Forge) All of the attempts to overcome the trap were based on action, trying to do something about the problem. The ...
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... the story and forget that they are listening to the Bard. It is Shakespeare's words and text, however, the sights and sounds are as clearly, possibly overshadowing, telling the same parallel story. One could say that there are visually emotional subtitles throughout the movie directing the audience to understand and engage in the most famous love story in an entirely new way. One can argue that this version of Romeo and Juliet would be understood even without spoken words. The camera-work tells the story as clearly as the text. There are very few moments in this movie when the camera stops moving. Like Oliver Stone's Natural Born Killers the editing is fierc ...
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... episodes provoke their guests to exaggerate their emotions to draw attention, including physical assault. In the attempt to obtain a higher status among the television world, Springer fails to incorporate the positive morality in today’s society. The appeal of the public favors violence on television. There are presently many issues questioning the relation between violence on television and the violence that exists today in America. On Sally Jessy Raphael’s talk show, she uses a similar approach to attract the attention of her television watchers. Her main focus is drawing in delinquent teens and attempting to reform their outlook on life. In some instances, ...
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... is a step On which I must fall down, or else o'erleap, For in my way it lies. Stars, hide your fires! Let not light see my black and deep desires. The eye wink at the hand; yet let that be, Which the eye fears, when it is done, to see. (Act 1:Scene 4:ln.55) When Lady Macbeth heard of her husband's success and read the letter, we almost immediately feel that a new source of power had appared in the drama. Her words reflected a great knowledge of her husband and her practical approach to problems as seen in the following two verses. Glacis thou art, and Cowdor, and shalt be What thou are promised. Yet ...
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... the three witches; after which he tells Banquo that he is eager to learn more about his future as king. Shylock's greed is revealed when we learn that unlike Bassanio, Shylock charges interest on all his loans, and that he is quite ruthless in getting payments for money owed. "Three thousand ducats. 'Tis a good round sum./ Tree months from twelve, then let me see, the /rate--" (1.3.112-114). Upon this Bassanio asks Shylock if he will really owe him any interest; Shylock reacts as almost offended, and further explains that Bassanio will indeed owe him interest. For both Macbeth and Shylock, this is the beginning of the end. Macbeth's greed starts to become a ...
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... a cost. Hamlet, Claudius, Gertrude, Ophelia, Laertes, and Polonius are all dead. I would have to say that all of the adversity in hamlets life had to have a great affect on his spirit. One can not go through life, and Hamlet had a short one, lose all of the people that you love and expect it to not dishearten you a little. And in Hamlets case it pretty much drove him insane. The human spirit is a very fragile thing, and something as tragic as the death of a loved one can damage it greatly. As in Hamlets case, when his father was murdered, this started a sort of devastating chain reaction of the psyche. He started to "go nuts", and it showed. The people around h ...
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