... 2, Scene 3), he is saying that the only reason he will marry Romeo and Juliet is because he hopes that the marriage will end the hostilities between the two houses. When he says "Shall Romeo by my letters know our drift, and hither shall he come; and he and I shall watch thy waking, and that very night shall Romeo bear thee to Mantua." (Act 4, Scene 1), he tells Juliet how everything will be all right. Unfortunately, for all his good intentions the play still ends in tragedy. Friar Lawrence is a man who is not afraid to take risks when he feels it is neccesary to help someone. For example in Act 2, Scene 6, when he marries Romeo and Juliet, he is risking hi ...
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... and pilots, our heroes in The Perfect Storm, had a responsibility to the well being of everyone at sea. When a distress call was made, it was their duty to answer it to the best of their ability. It seemed “to the best of their ability” meant do the job until they died trying. These men had undergone extensive training in their fields to prepare for such situations as the perfect storm presented them. The PJ’s had undergone a highly selective process that many Navy SEALS could not complete. And the pilots of the helicopters and jets showed tremendous skill as they navigated through the rough turbulence of the storm. These men were, indeed, the best of ...
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... Brooks originally wanted Groening to make an animated pilot of Life in Hell. Groening chose not to do so in fear of loosing royalties from papers that printed the strip. Groening presented Brooks with an overweight, balding father, a mother with a blue beehive hairdo, and three obnoxious spiky haired children. Groening intended for them to represent the typical American family "who love each other and drive each other crazy". Groening named the characters after his own family. His parents were named Homer and Margaret and he had two younger sisters named Lisa and Maggie. Bart was an anagram for "brat". Groening chose the last name "Simpson" to sound lik ...
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... displayed Valjean became weak and stole the silver that was in the home. He was immediately caught by the law abiding officer, Javert, who would chase Valjean for the rest of his life. When Javert brings Valjean back to the priest's house to confirm the theft, the priest amazes everyone by saying that he gave Valjean the silver and then he added a pair of silver candle sticks to what already was taken. When the police left, the priest told Valjean that he "must use this precious silver to become an honest man". With this kindness that was given to Valjean, he decided that he will be able to start his life again. In the opening scene Valjean has a soliloquy ...
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... of ideas and situations into single shots or brief scenes that provided an ironic key to the characters and the meaning of the entire film. In his early films, The Marriage Circle (1924), One Hour With You (1932), and Trouble in Paradise (1932), elements of Lubitsch’s style, such as deception and corruption, role playing and performance, relationships, and the concept of desire as motivation for everything are common staples. To understand the thematic aspects of Lubitsch style, we must look at each of these in turn. Deception and Corruption There are surface deceptions and self-deceptions in all corners of The Marriage Circle. Misrepresentations are ...
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... general into murdering his wife. Iago simultaneously conducts a devious plan to obtain Cassio's position as lieutenant, using Desdemona's prime weakness; her naivety. He disgraces Cassio by intoxicating him enough so he strikes Roderigo. Othello then discharges Cassio of his Lieutenancy when he says: "Cassio, I love thee,/ But nevermore be officer of mine" (II.iii.242-244). It was therefore understandable that he would fall to the mercy of Iago, completely oblivious to the inevitable effects. Iago reveals his plan to the reader in his third soliloquy when he states: His soul is so unfettered to her love, That she may make, unmake, do what she list, even as he ...
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... Lear and leads to his death. In the beginning, King Lear shows his need for praise is how he chooses to divide his kingdom among his daughters. The one who praises him with the most "gusto" shall receive the largest area of land. This is even more evident when you consider that he already has divided up the kingdom before the praising even begins. As evident as he gives each daughter her land before hearing the next daughter's praise. Thus the who thing is just a show and an ego boost to himself. It is because of his love for praise that makes him react so strongly to Cordelia and Kent when they do not act as he would like them to. It could be said he is like a ...
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... and Leisure in Impressionist Painting" by Linda Nochlin, and "Like an Artist" by Janis Bergman-Carton. First, the article "Judith Leyster's Proposition - Between Virtue and Vice" by Frima Fox Hofrichter talks mainly about the sexual proposition of a man towards a woman during the seventeenth century. The painting "The Proposition" represents an indecent proposal towards a woman and her reaction to this indecent proposal. During this century, there was a resurgence of prostitution throughout European countries. The women represented in many paintings were thought of as willing participants to the offering of prostitution. In Leyster's painting "The Proposition" ...
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... hinted at : directly through Jorgen mentioning Hedda’s “blossoming” twice, and subtly through Hedda’s clothes which are indicated in the stage directions to be “loosely-fitting”, which does not suit her “elegant figure”. The ridiculous reasoning of Jorgen and Hedda’s noticeably strong reaction to any mention of the matter further draws the audience’s attention to the matter. When Miss Tesman declares that she will visit her “every single day” even in the face of Hedda’s disgust and obvious disapproval, the possibility of future conflict is set up. Conflict between Lovborg and Jorgen is also established by Brack’s revelation that the both of them might be competing ...
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... Lear denies the fault and tells Kent "out of my sight", which itself is a contradiction, as Lear does not have any 'sight' to see Kent's view and to understand the true extent of his decision to divide the kingdom. In the same scene, Lear also show the audience his failure to be a father, by using irrelevant judgements to divide land. "Which of you shall say doth love us most?" Lear asks his three daughters. To please Lear, Gonerill and Regan speak words of flattery and Cordelia, so 'true', says "I love you according to my bond." To hear this, Lear praises Gonerill and Regan by reward of land, but punishes Cordelia by "disclaim my paternal care, property and p ...
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