... reacted in the only way she knew how; she completed her “job” as the wife by storming into tears and weeping in her sister’s arms. She felt no horror or shock, just grief that this person, this “friend”, had passed away. “She did not hear the story as many women have heard the same, with a paralyzed inability to accept its significance. She wept at once, with sudden wild abandonment, in her sister’s arms.”(12) The irony had finally creeped through into her life, her inexplicable and “sometimes” loving marriage had finally come to a sudden halt; Louise Mallard no longer had her dreadful job. ...
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... She then became a reverend figure whom people confided in and received sympathy from. Reverend Arthur Dimmesdale was young, very pale, and his body was fragile. He had large, caring eyes and a sweet, youthful personality women adored. He was shy and mainly kept to himself. Reverend Dimmesdale was deeply loved by his congregation because of his emotional way of speaking. Being a well-educated, trustworthy, highly admired pastor, no one suspected him to be the father of Hester’s baby. Finally, his conscience fell into play and he admitted to his sin. Immediately after confessing, he passed away. Roger Chillingworth was Hester’s husband. He was s ...
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... flat they were living in was chosen by Gregor. Making enough money, he hired a cook and servant. He was even thinking of sending Grete to the conservatorium to further enhance what he believed to be musical talents. Even after his metamorphosis, he never asked for much. Showing his concern for others' wellbeing, he hid under the couch so as not to disgust anyone by his sight. Although they brought him food everyday, he barely ate any of it. He even wished he were not such a burden on the family, and that he could have transformed back into his old self. All of the actions mentioned above displayed Gregor's unselfishness. After his metamorphosis, no ...
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... It values rules, and commandments. Jack as id, represents the carnal drives in man. He illustrates this through painting his face. By painting his face, Jack suppresses his ego and superego, causing Jack to be capable of acts of violence without having any repercussions. Jack portrays this violence in different ways. First, Jack enjoys hunting because he gets to kill pigs. Often, in Lord of the Flies, Jack is consumed by killing pigs, and desires nothing more. The drive to kill rules his thoughts. In Jacks statement "'We're strong-we hunt! If there's a beast we'll hunt it down. We'll close in and beat and beat and beat-‘"(83), he demonstrates his carn ...
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... which negatively impacts the main characters. Each of the three primary characters is an aesthete and meets some form of terrible personal doom. Basil Hallward's aestheticism is manifested in his dedication to his artistic creations. He searches in the outside world for the perfect manifestation of his own soul, when he finds this object, he can create masterpieces by painting it (Bloom 109). He refuses to display the portrait of Dorian Gray with the explanation that, "I have put too much of myself into it" (Wilde 106). He further demonstrates the extent to which he holds this philosophy by later stating that, "only the artist is truly reveled" (109). Lord He ...
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... This is precisely the escape route from strict mandates of law and religion, to a refuge where men, as well as women, can open up and be themselves. It is here that Dimmesdale openly acknowledges Hester and his undying love for her. It is also here that Hester can do the same for Dimmesdale. Finally, it is here that the two of them can openly engage in conversation without being preoccupied with the constraints that Puritan society places on them. The forest itself is the very embodiment of freedom. Nobody watches in the woods to report misbehavior, thus it is here that people may do as they wish. To independent spirits such as Hester Prynne's, ...
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... as a form of entertainment and also focus on material things as pleasure seeking activities. The entire culture revolved around advances in technology such as T.V's, radios, and self-buttering toasters. These material things gave people happiness. A good example of someone who was brain-washed by the material possessions was Guy Montag's wife Mildred. She was so convinced by the people on the television that she was unable to think for herself. When Montag eventually questioned the mindless pleasure seeking, his wife was too wrapped up in her life to think twice. The mindless pleasure seeking and materialism may have been most entertaining and powerful for firef ...
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... totally contradicting to what he knew, and so he crumbled, selling his soul to sit among demons and devils. He was hollow inside, had no sense of moral or social responsibility, and the black truth he discovered ate away and destroyed him. He regressed to savage behaviors he had previously repressed and let the darkness fill the cold void within him. Because he knew so much blackness, he was unable to live in society again. He crossed over and relinquished all ties to the civilized world, for he had lived the white truths to an extreme, so did he live the black truths. Kurtz showed what happens when the white truths and lies of society are taken away. Kurtz lived a ...
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... attached to them. For example, most people think of tramps as being dangerous. About that Orwell says: "Quite apart from experience, one can say a priori that very few tramps are dangerous, because if they were dangerous they would be treated accordingly. A casual ward will often admit a hundred tramps in one night, and these are handled by a staff of at most three porters. A hundred ruffians could not be controlled by three unarmed men. Indeed, when one sees how ramps let themselves be bullied by the work house officials, it is obvious that they are the most docile, broken-spirited creatures imaginable. "(p. 204) About the term "drunkard" Orwell disa ...
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... are made of, his and mine are the same…" Their love for each other is so passionate that they can not possibly live apart. At Catherine's death, Heathcliff hopes that she will not rest, but will haunt him until he dies. This absurdity contradicts the traditional norm that one should pray that the dead rest in peace. Near the end of the novel, we learn that Catherine has haunted Heathcliff, allowing him only fleeting glances of her. This shows that despite their physical separation, nothing can part them spiritually. When Heathcliff dies and unites with Catherine once again, the neighbors see them haunt the moors. We finally see the power of their love; Not only do ...
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