... and despise me for keeping mum…." (p. 46) After traveling down the river for some time, Jim believes that they are nearing Cairo and starts to imagine his life as a free man. His plans for freeing his family and the nearing of the completion of the "crime" begin eating away at Huck's conscience. He resolves to go ashore and turn Jim in, which immediately relieves his guilty anguish. As he takes off in the canoe, supposedly to find out if they have reached Cairo, Jim makes an incredibly timely show of his love and trust for Huck, concluding with, "Dah you goes, de ole true Huck; de on'y white genlman dat ever kep' his promise to ole Jim." (p. 110) Huck struggles ...
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... At first the reader sees Babbitt as a person more than happy to conform to the standards set for him by the rest of society. Babbitt goes about his normal routine praising modern technology, material possessions and social status as ways to measure the worth of an individual. In fact the readers first encounter with Babbitt sees him praising modern technology. "It was the best of nationally advertised and quantitatively produced alarm-clocks, with all modern attachments, including cathedral chime, intermittent alarm, and a phosphorescent dial. Babbitt was proud of being awakened by such a rich device."(Babbitt pg.3) Babbitt praises the technology o ...
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... ‘more human than human.’ They have almost all of the characteristics of humans. They have feelings and emotions, intelligence and understanding, and desire for the same things that humankind does. The film, however, starts out with a disassociation between replicants and humans. The opening text states that the replicants are not being ‘executed’ but ‘retired.’ It uses such language as ‘mutiny’ which in and of itself brings images of traitors and rebels. The word brings a negative opinion to the audience of replicants. But then again, the word brings images of an act of will, a free decision made by these so called ma ...
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... liep op zijn tenen om de congiere maar niet te wekken uit zijn verdoving, als die wakker werd waren de poppen aan het dansen. Hij trok de rits van zijn leren zwarte jas helemaal dicht en sloop de nooduitgang uit. De lamp buiten sprong aan. Zonder naar te denken zette Bertus het op een lopen en verdween in de donkere nacht. Toen hij thuis kwam sloop hij zachtjes naar de schuur. Tegen de wand stond een breekijzer, hij wikkelde deze in kranten en hield het ijzer onder zijn jas. In zijn hoofd ging hij alle mogelijkheden na. Had hij alles? Kon iemand hem? Of nog erger HAD iemand hem gezien? Hij zette deze gedacht uit zijn hoofd en liep zachtjes naar buiten. Hij liep zon ...
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... rooted securely in her garden but also held down by her connection to it. Their house is described as “hard-swept” and “hard-polished,” and is the only outlet for her talents. However, Elisa needs something more in her life than a neat house and a good garden. Their marriage is childless and conventional and she has begun to sense that an important part of her is dying and that her future will be predictable and mundane. Elisa is a barren woman who has transferred her maternal impulses to her garden, a garden full of unborn seedlings. On the other hand, Elisa would never consider a lurid affair, when a dark mysterious stranger appe ...
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... the beginning of the story, Hamlet’s character was struggling with the sudden marriage of his mother, Gertrude, to his uncle, Claudius, a month after his father is death. He is disturbed at the speed with which his mother has recovered from mourning her dead husband to marry the new king. He expresses his frustration and confusion during his soliloquy in Act 1, Scene 2 after the new King's announcement to his people. Later he learned that his father’s ghost was sighted. Intuitively, he knew there had to be some kind of “foul play.” Upon meeting his father’s ghost, he learns that Claudius killed his father, and that he must take on th ...
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... down a long, pure white hallway. At this time he is a black man symbolically immersed in a white world, a recurring idea of the novel. After receiving his job, the narrator goes to meet Mr. Kimbro. In this scene, Kimbro teaches the narrator how to make the ordinary white paint into "Optic White": Ten drops of a black formula must be mixed in to the white paint, of which the surface is already brown. The narrator does not understand this, and inquires about it, only to be insulted by Mr. Kimbro. Mr. Kimbro, in no way what so ever, wants any of his workers to think. He just wants them to obey. So the invisible man, although still unable to comprehend t ...
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... death and destruction like that of Hiroshima. Governments around the world have the power to regulate what kind of warfare is used during battle. However, by permitting the use of the atomic bomb, many innocent civilians are killed. Proponents of nuclear armament argue that one massive show of force results in fewer casualties overall compared to prolonged ground war, but the use of the bomb is still inhumane. In the case of Hiroshima, staticians said that “at least 100,000 thousand people had lost their lives” and 37,245 had been injured(81). The bombing of Hiroshima also produced radiation over a widespread area. Twenty percent of the victims killed died ...
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... from the time of trial, but actually caring for them and being their friends, during the time of trial. The quest of finding the true love of people is an ongoing dilemma in the lives of many people all throughout the world. The constant need for love is overwhelming, and the tragedy of this great world is the fact that some people do not find the proper love that they deserve. Holden Caulfield is a perfect example of the striving to acquire a love sought all throughout his life. According to this quote, “He is simply expressing an innocence incapable of genuine hatred. Holden does not suffer from the inability to love, but does despair of finding a place to best ...
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... passes through three main stages before his death, the first of which is his obsession with performing a single action to the exclusion of everything else. Initially, Bartleby works day and night, "as if famished for something to copy." (Melville paragraph 18) His goal, it seems, is to single-mindedly to accomplish as much copying as is humanly possible. The first few attempts on the part of the narrator to tell Bartleby to do something else, no matter how moderate the task, are met with the simple refusal, "I'd prefer not to." (Melville paragraph 21) The narrator reasonably chooses not to punish this insubordination because of both the quality, and the quant ...
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