... they are both tragedies; the protagonist in each lacks conventional hero qualities. Both Hamlet and R.P. McMurphy in One Flew Over the Cuckoo's Nest, can be defined as anti-heroes making these two pieces comparable for study. To examine the aspect of anti-heroes in tragedy, and how this relates to the characters of R.P.McMurphy and Hamlet, an analysis of the motivation of each is necessary. Motivation is the source of all action, and only in this area these two characters similar to a traditional protagonist. As the character himself evolves through the course of the plot, so do their motives. Hamlet and McMurphy begin at different points with different pur ...
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... between the lines, I have discovered some racism Conrad felt toward the natives that I had not discovered the first time I read the book. Racism is portrayed in Conrad's book, but one must acknowledge that back in the eighteen hundreds society conformed to it. Conrad probably would have been criticized as being soft hearted rather than a racist back in his time. Conrad constantly referred to the natives, in his book, as black savages, niggers, brutes, and "them", displaying ignorance toward the African history and racism towards the African people. Conrad wrote, "Black figures strolled out listlessly... the beaten nigger groaned somewhere" (Conrad 28). "They ...
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... to achieving this “goal”, they violated ethics, which in turn changed them as people. Although money serves as a driving force for individuals, it does not counter the negative effects that are induced during the process. Therefore, money is the root of all evil. Despite the two novels possessing slight differences, they coincide in many aspects. When Pip acquires the money from the unknown benefactor, he moves away under Jaggers guidance and barely ever returns to his hometown. In the beginning, his reasons for coming back were to visit Joe, Biddy, and Miss Havisham, but eventually he changes and seeing the people previously so important to him appear ...
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... the visitor thought Tom should have a chance to show his learning, so he asked him who were the first two of the twelve Apostles to follow Jesus, it being presumed that the prize boy knew such things perfectly, for the lesson of the term had been in the study of the four Gospels. Tom felt the necessity of giving some answer, and his was "David and Goliath," to the surprise of the visitor, the consternation of the head teacher and the amusement of the school. When Tom went to church he took a large snapping bug (which has a grip like a crab) with him, and it got hold of a church-going dog, which rushed around the building and howled in a manner highly unbecoming to ...
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... which soiled their once virgin eyes. Although they gained knowledge and experience they were becoming no longer young and gay, but were becoming mature and knowledgeable. Growing at such a fast pace was a regretful process, that even Andrew advised Tony to not grow too fast but that would not happen as we know. Another example of loss of innocence in the book would be Tony’s friends. The gang seems to be fairly innocent enough but they go through the lesser part of losing their innocence in this story. They have minor things such as hearing about the mischief around town and some of the horrible things that happen. Also the way they talk and act show ...
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... to vulgarity. The friar offers many analogies of the summoner, and he readily interchanges the occupations of a summoner and a thief: “And Judas kept a bag, and was a thief, just what a thief was he…he was a thief, a summoner, a pimp.” By doing so, the friar implies that a summoner must indeed know the deceitful arts of theft and embezzlement: “He knew so much of bribery and blackmail I should be two years telling you the tale.” By giving so many portraits of a summoner, the friar is sketching what he thinks of summoners in general. Having gathered all this, “A summoner isn’t much to be commended.” The summoner however, resorts to vulgarity due to anger: “…when m ...
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... can now be afforded, who is become with flirtation, and engages in childlike acts of disobedience (259). This inferior role from which Nora progressed is extremely important. Ibsen in his "A Doll's House" depicts the role of women as subordinate in order to emphasize the need to reform their role in society. Definite characteristics of the women's subordinate role in a relationship are emphasized through Nora's contradicting actions. Her infatuation with luxuries such as expensive Christmas gifts contradicts her resourcefulness in scrounging and buying cheap clothing; her defiance of Torvald by eating forbidden Macaroons contradicts the submission of h ...
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... throughout the story is that of irony. The story itself is ironic since no one can take Swifts proposal seriously. This irony is clearly demonstrated at the end of the story; Swift makes it clear that this proposal would not affect him since his children were grown and his wife unable to have any more children. It would be rather absurd to think that a rational man would want to both propose this and partake in the eating of another human being. Therefore, before an analyzation can continue, one has to make the assumption that this is strictly a fictional work and Swift had no intention of pursuing his proposal any further. One of the other voices that is present t ...
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... where she would otherwise go after death, and second, the own personal hell Hester will create for herself if she had chosen to hide her sin in her heart. Though it was ordered for Hester to wear the letter, it was still her own choice to make it in a vivid scarlet, "so fantastically embroidered and illuminated upon her bosom." Hester chose red as the color of her brand of shame, to declare to the rest of the townspeople that she is prepared to acknowledge her sin, instead of denying it; she could have chosen to wear her "A" in a plain and nondistinct color, to escape the townspeople's disdain. By displaying her guilt however, she is granted the opportunity to f ...
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... Yossarian, a captain in the Air Force and a lead bombardier in his squadron, but he hates the war. During the latter half of World War II, Yossarian is stationed with his Air Force squadron on the island of Pianosa, near the Italian coast and the Mediterranean Sea. (Heller) The squadron is thrown thoughtlessly into brutal combat situations and bombing runs on which it is more important for them to capture a good aerial photograph of an explosion than to destroy their target. Their colonels continually raise the number of missions they are required to fly before being sent home so that no one is ever sent home. Heller's satire targets a variety of bureaucrats, the ...
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