... initial proposal. However, with all her strong-mindedness, her courage is still shown when she admits that she is wrong after she read Darcy’s letter of explanation and said: “But vanity, not love, has been my folly.” Through this realisation, we see that Elizabeth does not have the stereotypical nature of the majority of the people in her society, who, in contrast are unable to recognise their own faults. Vastly contrasted to Elizabeth, we have the comical Mr.Collins, who lacks the self-reflection and self-awareness that is evident in Elizabeth. One trait Mr. Collins surely portrays is that of self-importance. It never occurred to him that Elizabeth would refuse h ...
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... will never happen. Quote 2: "’Except the bad thing is, the real humdinger, see, is that I tried for CO status, being a Christian and all. And weird things happened. And…well…I didn’t get it." Page 358 The dramatic realization of the fact that the war will affect a member of the Chance family is apparent in this quote. The amount of sorrow and emotions felt by the Chance family, and for that matter, all families who had children, brothers, husbands, or fathers, drafted into what many felt was a needless war. The novel brings to life what heartache many Americans had to face during the Vietnam era, a heartache that few in my generation have had the abi ...
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... it is made up of the colors black and white. He also uses a metaphor in describing the rifles taken from the dead men. He says, “Keyboard of rifles,” which describes the rifles all lined up like the keys on a keyboard. The diction he uses in this poem really lets you understand the differences between black and white in the African town of Rhodesia. The author uses great detail to describe his poem. For example he writes, “ Rhodesia, sweaty flank of the world,” which lets the reader understand that Rhodesia is a hot place. He also writes, “I read as quietly as they lay.” This means that he is reading as quietly as the dead Afri ...
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... He seems to adore his father, but he really doesn't. He finds out that his father has an affaire, and he looses all respect for him. He ends up forgetting everything Willy said, and steals something from every job that makes him loose it. He wants to change his father, and will do this by shockingly awakening him to the reality that something is wrong with him, and Biff tries to get his father to stop trying to kill himself. He wants his father to love him like he loves his father, but he will not, because of his mood swings, and the fact that sometimes he just hates Biff. Biff is a no nonsense kind of guy. He gets straight to the point, and doesn't beat around ...
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... traditional definitions of masculinity and problems with that. "Traditional definitions of masculinity include attributes such as independence, pride, resiliency, self-control, and physical strength."(78) Sometimes masculinity is related to violence; violence became the tool maintaining their masculinity among boys. Then, he mentions the two most critical socializing forces in a boy's life: homophobia and misogyny. He explains that homophobia, hatred of feminine qualities in men, and misogyny, hatred of feminine qualities in women, put pressure on them to avoid femininity, even good qualities of femininity. Then, he argues the negative side of the "traditional view ...
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... era's, such as the play "The Importance of Being Earnest" by Oscar Wilde. In this play Wilde display's the class structure with a different and interesting twist. He makes a reflection on the society with his own sense of humor, but however it still leaves a very good opportunity to make a Marxist critique about the way the class structure influences the play. He leaves room for these critiques when he writes about the servants, the nobles, and the middle class. His view on society and class is very evident on the way the servants are portrayed. "‘I don't know that I am much interested in your family life, Lane'" "‘No sir; it's not a very inter ...
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... novel is a satire on the Russian revolution, and therefore full of symbolism. General Orwell associates certain real characters with the characters of the book. Mr Jones: Mr. Jones is Orwell's chief (or at least most obvious) villain in Animal Farm. Mr. Jones symbolizes (in addition to the evils of capitalism) Czar Nicholas II, the leader before Stalin (Napoleon). Jones represents the old government, the last of the Czars. Orwell suggests that Jones (Czar Nicholas II) was losing his "edge". In fact, he and his men had taken up the habit of drinking. Old Major: Old Major is the first major character described by Orwell in Animal Farm. This "pure-bred" o ...
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... which are not real such as pink elephants, green rats, gold skin and so on. Hallucinations may occur when pressure is applied to different sections, drawing different reactions from the person being affected, these reactions are caused by the affected person seeing things which they perceive to be real . Hallucinations are only one way by which the visual perception of an object can be altered there are many more ways by which the visual perception of an object can be altered; for example consider a square envelope, pay very close attention to what you see when you look at this object. If the envelope does not move but you do then your perception of this ob ...
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... still be moved up or down based on their merits regardless of their connections or heritage. He believes the citizens of the State will support and benefit from such a system and presents the idea in the form of an allegorical myth. His allegory was based in part on the prevalent belief that some people were literally “autochthonous,” born from the soil, and partly from the stories of the philosopher Hesiod who chronicled the genealogy of the gods and goddesses as well as their accomplishments and exploits. Hesiod’s account of the Golden, Silver, and Bronze races which had succeeded one another before the current to “The Republic’s” age of Iron forms the basis ...
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... heritage is a rich one, full of folklore, superstitions, and a distinctly magical religion known as Voodoo. It is this heritage that many African American writers try to express in their works. Through the use of magical realism, these writers are easily able to convince the dubious reader of the existence of ghosts and the power and widespread practice of Voodism. And because the believability of a magical realism work depends on the reality of the world the writer creates, this genre allows African American writers to explore and portray the history of their people while exposing some unique African traditions and beliefs. Through an analysis of Toni M ...
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