... day, while Kino and Juana are fishing in the Gulf, Kino finds an enormous pearl and cries out in joy. He believes the pearl will make him rich and enable him to provide security for his family. But Kino discovers otherwise. The pearl stirs envy in the villagers, and that night Kino is attacked in his hut by a thief. The following day, he tries to sell the pearl to buyers in town, but he is offered only a small amount of money for it. The buyers all work for the same man. They know the pearl is worth a fortune but hope to buy it cheaply by pretending that it is worth little. Kino says he will sell his pearl in the capital city, wh ...
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... or bad, on the novel’s major characters. The final major theme is the public vs. private self. It shows that people are much, much different in the public than they are privately. These themes, as the reader acknowledges, are apparent just as much in today’s society as they were in the 17th-century society that Hawthorne writes of. This similarity between the societies of the last 300 years has kept The Scarlet Letter, and the love for the pure romance novel, alive. The first major theme, the law vs. nature theme, runs very deep throughout The Scarlet Letter. Although today’s society is very tolerant to the wrongdoing of its citizens, Puritan ...
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... god's sake!!!) and then again in the cave. In the cave Unferth begs Grendel to take his life but Grendel gives him fate worse than death. Grendel leaves him alive and impotent. Unferth knows that he cannot kill Grendel yet he cannot be a martyr to Herot either. All during the first year of Grendel's siege, the smell of apples fresh in the air, Unferth tries to be the Grendel's martyr. Oh the heroic Unferth who died trying to save the people of Herot. Unfortunately he never got to die, not even dressed up as a goat, a pig or an elderly women. This continuing life of impotence lead Unferth to an immense sense of bitterness. Poor Unferth to be at a beast's m ...
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... Macbeth's intentions to kill Banquo, a fellow leader of Duncan's Scottish Army, is a second example that proves evils powers. 2"Bring them before us, to be thus is nothing but to be safely thus our fears in Banquo stick and in his royalty of nature reigns that which would be fear'd tis much he dares"(Act 3, I, 47-52) Macbeth decides to take Banquo's life because, he has a slight idea of the true nature and identity of Macbeth. Banquo knows that Macbeth was behind the murder of Duncan. What Banquo does not know is that Macbeth knew of Banquo's observations and inquiries, so before Banquo has a chance to blow Macbeth's cover, he i ...
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... seems to be that of a small child. Peturicho’s methods of pursuit in some cases border along the lines of torture. Peturicho manipulates and exploits Kate’s character in order to change her outward actions. Although Peturicho does not want to change Kate’s inward thoughts, he does not want to break her spirit. The greatest example can be quoted below. Petruchio says, "Thy gown? Why, aye. Come, tailor, let us see't. / O mercy, God! What masquing stuff is here? / What's this? A sleeve? Tis like a demi-cannon. / What, up and down, carved like an apple tart? / Here's snip and nip and cut and slish and slash, Like to a censer in a barber ...
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... and gentle tone. This tone suggests the tender nature of this enchanting woman and gives the reader a sense of consistency that allows them to focus more on the woman than the wording of the poem. The alternating rhyme scheme in all three sestets gives the poem its consistent tone. “She walks in beauty, like the night,” (1) rhyming with “And all that’s best of dark and bright,” (3) makes the poem easier to remember and pleasing to the reader’s eyes and ears. The iambic tetrameter, when read aloud, guides the reader along in such a way that the poem maintains a smooth and graceful sound. “Of cloudless climes and sta ...
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... his return to Sarah-all seemed to have simply befallen him. He couldn't think of a single major act he had managed of his own accord."(339) In thinking this, Macon is realizing that he has dedicated a great deal of time using systems and finding other ways to organize and control the minor aspects of his life, however he has never put much thought, or attempted to take much control of the major aspects of his life. This realization prompts Macon to wonder "Is it to late now to begin." Macon decides that it isn't too late, and begins to take control by deciding to leave Sarah, and return to Muriel, who he really loves. For the first time Macon is doing somethin ...
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... face, while using Fortunato’s pride in his knowledge wine to lure him into the catacombs to taste some of his imaginary amontillado. At this point, the reader knows the conflict will be one of man versus man. It is an external struggle because Fortunato and Montresor are in a life and death fight. However, the conflict is largely internal, because Montresor has a fierce hatred that Fortunato is unaware of. The climax of the story is when Montresor chains Fortunato to the wall and begins to layer the bricks. It is the high point of emotional involvement. It is at this point that the reader may ask themselves if this is really about to happen. The conclusion ...
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... in her husband more than she previously realized. The real problems begin when Macomber, Wilson and Margot go hunting lions. Macomber shoots poorly and flushes the lion into a space where it can not be seen easily, as Wilson says: "Can't see him until you're on him." (Page 14). As the two men go to clear the lion out, he (the lion) charges and Macomber can not kill the lion without Wilson's help. This is when Mrs. Macomber begins to think of her husband as a coward. In an attempt to gain some of his wife's lost respect for him, Macomber decides that the next day they will hunt for buffalo. That night, Mrs. Macomber and Mr. Wilson sleep together. Unfortuna ...
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... sad, strong or weak, bold or trembling."(Sclossberg 1) It is being able to put out your whole life for the well being of somebody else. "Love drives you to share or sacrifice everything you are…or ever hope to be."(Sclossberg 1) True love is unconditional. It is an unexplainable phenomenon. This love, this supreme happiness, is to a very large extent an illusion in itself. When one is truly in love, he/she vows a commitment to live for that person. He/she should be willing to do anything for the happiness of the one they love. In order to do this, one must recognize and understand the character of their lover. "He alone is in a position to recognize ...
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