... initial introduction to the Prioress is as follows: "There was also a nun, a prioress, Who, in her smiling, modest was and coy; Her greatest oath was but "By Saint Eloy!" And she was known as Madam Eglantine. Full well she sang the services divine," (118) At first, one would think that Chaucer's description will be as flattering as that of the knight but soon enough we see the total opposite because at first Chaucer describes her as a delicate and well-mannered woman. "At table she had been well taught withal, And never from her lips let morsels fall, Nor dipped her fingers deep in sauce, but ate With so much care the food upon her plate That never driblet fell ...
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... not so Americanized. Jing mei saw China as a Communist country. She envisioned a poor country containing small villages, with people who would not have the slightest idea of what it felt like to have the same luxuries that many Americans are fortunate to have. She later found out that she was totally wrong. Right from the beginning she was surprised as she arrived at the train station where she saw crowds of people wearing drab Western clothes, as she described, with spots of bright colors and old ladies in gray tops and pants that stop mid-calf. She had to remind herself that she was in China because, while waiting in line to go through customs, she felt like she ...
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... held in honor of the god, during which great dramatic competitions were conducted. The most important festival, the Greater Dionysia, was held in Athens for five days each spring. It was for this celebration that the Greek dramatists Aeschylus, Sophocles, and Euripides wrote their great tragedies. Also, after the 5th century BC, was known to the Greeks as Bacchus. is the son of Zeus and Semele. He is the only god to have a mortal parent. The birth of began when Zeus came to Semele in the night, invisible, felt only as a divine presence. Semele was pleased to be a lover of a god, even though she did not know which one. Word soon got around and Hera quickly ass ...
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... bulimia, or he/she may struggle daily with depression (Kim 7). The National Institute of Mental Health estimates that as many as 17 million Americans each year suffer from depression. About one in twenty-five of these sufferers is under the age of 18, and one in seven women will experience depression in her lifetime. The illness strikes regardless of age, gender, class, culture, or ethnic background (Kim 9). The occurrence and distribution of depression in a population may be related to a variety of factors. Such factors include a wide range of possibilities such as sex, age, living in the town, living in the country, nutrition, marital status, socioeconomic ...
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... discovers some good omens for his journey: " 'In order to find the treasure, you will have to follow the omens. God has prepared a path for everyone to follow. You just have to read the omens that he left for you.' Before the boy could reply, a butterfly appeared between him and the old man. He remembered something his grandfather had once told him: that butterflies were a good omen. Like crickets, and like expectations; like lizards and four-leaf clovers." Even when Santiago had almost given up his journey, after working in the crystal shop for eleven months and nine days, he finally earned enough money to go to Mecca and buy his sheep. But for some ...
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... - Vivian "Bibbie" Baxter - Maya and Bailey’s mother; a beautiful, smart, and willful lady; She is a trained nurse, but also makes a lot of money playing poker games in gambling parlors. - Daddy Bailey - Maya and Bailey’s father; he is a vain, selfish, and conceited man, who is not a good father. Chris Corey pg. 2 3) Character "I" 2: Secondary Characters - Grandmother Baxter - the children’s nearly white grandmother; she is a precinct leader - Grandfather Baxter - dies a few years after Maya returns to Stamps - Uncle Willie - Maya and Bailey’s uncle; he lives with Momma Henderson; paralyzed since he was three - Dolores Stockland - Daddy Bailey’s gi ...
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... Melbourne?”, they have to know how to light a cigarette in pouring rain. On page 263, Paul comments, “I am young, I am twenty years old; yet I know nothing of life but despair, death, fear, and fatuous superficiality cast over an abyss of sorrow.” This sums up his entire disposition towards himself at the end of the novel. He was taken into the army, willfully, but still taken, in the prime of his youth, to a place where death and destruction were facts of life. Remarque depicts a transition in the value systems of Paul and his comrades. Kemmerich’s boots, symbolic of a horizontal value system, can be seen to have considerable influence ov ...
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... phenomenologists tend to show a great deal of respect for the reader. In fact, a major underlying theme of this movement is the idea that the reader should be granted freedom to interpret a literary work in any way he/she likes. Jean-Paul Sartre, in his essay entitled "Why Write?", describes this best when he says "the writer appeals to the reader's freedom to collaborate in the production of his work" (627). Wolfgang Iser echoes this belief in the need for readers' freedom in his essay, "The Reading Process: A Phenomenological Approach": "No author worth his salt will ever attempt to set the whole picture before his reader's eyes ... it is only by activating t ...
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... The ancients believed that whatever an Oracle predicts was bound to happen. Oedipus does what he can to evade his destiny, he resolves never to see his supposed parents again. But it is quite certain from the first that his best efforts will fail. Others would argue that because Oedipus was a tyrannical ruler and didn't make the best choices in life, he deserved to suffer. E. R. Dodds states that, "Oedipus' behavior on the stage reveals the man he always was: he was punished for his basically unsound character." It was unavoidable and was his destiny to suffer in life. It was certainly not his fault that he reacted to his circumstances as he did. One of the mos ...
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... impacts the main characters. Each of the three primary characters is an aesthete and meets some form of terrible personal doom. Basil Hallward's aestheticism is manifested in his dedication to his artistic creations. He searches in the outside world for the perfect manifestation of his own soul, when he finds this object, he can create masterpieces by painting it (Bloom 109). He refuses to display the portrait of Dorian Gray with the explanation that, "I have put too much of myself into it" (Wilde 106). He further demonstrates the extent to which he holds this philosophy by later stating that, "only the artist is truly reveled" (109). Lord Henry Wotton cr ...
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