... say, his shirt open in front), his dirty socks crunched down, and pale and knock-kneed, "as if he had been loosèd out of hell / to speak of horrors." Or, as might say, "as if he'd seen a ghost." Hamlet grabbed her wrist, stared at her face, sighed, let her go, and walked out the door backwards. What's happened? Hamlet, who has set about to feign mental illness, is actually just acting on his own very genuine feelings. Hamlet cares very much about Ophelia. He must have hoped for a happy life with her. Now it is painfully obvious that they are both prisoners of a system that will never allow them to have the happiness that they should. When Hamlet act like a flesh-an ...
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... was in progress, and the swing to a brighter, more personalized time took place. People began to turn away from seeking their sole purpose through religion and politics, and began to focus more on intellectual stingers such as philosophy, science, art, music, and writing. During all of this, conventions, or habitual patterns in literature began to change. Again, for the most part this affected the non-prose area of literature, however there were some noticeable changes, which affected prose writings. The use of the pastoral convention concerned itself with love, pursuit of contentment, and freedom from pride and ambition, rather than the gloomy ideas ...
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... they are both tragedies; the protagonist in each lacks conventional hero qualities. Both Hamlet and R.P. McMurphy in One Flew Over the Cuckoo's Nest, can be defined as anti-heroes making these two pieces comparable for study. To examine the aspect of anti-heroes in tragedy, and how this relates to the characters of R.P.McMurphy and Hamlet, an analysis of the motivation of each is necessary. Motivation is the source of all action, and only in this area these two characters similar to a traditional protagonist. As the character himself evolves through the course of the plot, so do their motives. Hamlet and McMurphy begin at different points with different pu ...
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... "K," which narrows down towns that it could have been sent to. Based upon these clues, scholars have proposed several women from Beethoven's circle of acquaintances as "" candidates. Was she Beethoven's piano student, the Countess Giulietta Guicciardi? Or her cousin, the widowed Countess Joshphine Deym? Or could she have been Antonie Brentano, the wife of one of Beethoven's friends, as Maynard Solomon suggested. Even once candidates are proposed, the question remains: why was this letter in Beethoven's possession? Did he never send it, or was it returned to him? Although the debates continue, the answers to the riddle of the may have followed Beethoven to his gr ...
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... Along with success come wealth, power and maybe even fame. But does money and power truly make a person happy? In the poem "Richard Corey" the author Edwin Arlington Robinson writes how money and wealth does not bring true happiness The poem describes how admired and impressive Richard Corey was to the people. Everyone stared at him when he came to town wishing they could be in his place. But Robinson goes on to show that money alone can not bring happiness. "And Richard Corey, one calm summer night, / Went home and put a bullet through his head (lines 15-16). Richard Corey's suicide is a significant lesson to tell us that money can not fill the void of loneli ...
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... Dedalus is a drunken failure. Unhappy as a perpetual outsider, he lacks the warmth to engage in true friendship. "Have you never loved anyone?" his fellow student, Cranly, asks him. "I tried to love God," Stephen replies. "It seems now I failed." The force that eventually unites these contradictory Stephens is his overwhelming desire to become an artist, to create. At the novel's opening we see him as an infant artist who sings "his song." Eventually we'll see him expand that song into poetry and theories of art. At the book's end he has made art his religion, and he abandons family, Catholicism, and country to worship it. The name Joyce gave his hero underscores th ...
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... of the Black Death, that was what it probably was. Later on in the story the rioters speak of being hung if they took the large sum of money home, because “People would call us robbers—a strong gang”. This shows how easily it was to get killed back then, one false accusation or claim that was believed by some would lead to death. Also represented in the tale are the moral codes of conduct that were followed during the time. Since the main characters were drunken rioters, we would presume that almost all the moves they made were ‘evil’ in a sense. They were constantly drinking and cursing at each other, disrespecting their elders, being extremely greedy, and then eve ...
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... is alive, dies. Edgar joins Albany in ruling the country. So skillfully has Shakespeare intertwined the two plots, beginning in Act II at Gloucester's castle and ending in the alliance of Edgar and Albany, that is is difficult to separate them. Gloucester, like Lear, suffers from filial ingratitude. It is in his castle that Lear is humiliated by his daughters and flees into the storm. Gloucester's sympathy helps Lear to Dover to meet Cordelia, yet leads to his own blindness and his going to Dover for suicide. Edgar becomes embroiled in the main plot when, disguised as a madman, he meets Lear on the heath. His destruction of Oswald, Goneril's steward and h ...
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... subtle rhythmic variety, for example using assonance. Or making words look like they rhyme. Which is shown quite regularly through this poem. Free verse also complements the style of the poet 'connecting' with the reader in the way that it seems like the poet is writing directly to the reader. Making it a more 'in touch' and personal poem to subjects that we can relate to. In this case. Having a respect for your Father or your heritage. The poems opening line, in a simple, complete one line statement, conveys the impression of the poet talking to us directly and also sets a 'snapshot' of time for the reader: "Between my finger and my thumb/The squat pen rests; ...
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... in her store and for her free doctoring and homemade remedies. Still, everyone is shocked when the handsome outlaw, Marvin Macy, falls in love with her. Marvin is a "bold, fearless, and cruel" man who changes his unlawful ways to win Miss Amelia's love. Rather than robbing houses he begins attending church services on Sunday mornings. In an effort to court Miss Amelia, he learns proper etiquette, such as "rising and giving his chair to a lady, and abstaining from swearing and fighting". Two years after Marvin's reformation, he asks Miss Amelia to marry him. Miss Amelia does not love him but agrees to the marriage in order to satisfy her great-aunt. Once married, Mis ...
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