... the Spanish Civil War in the 1920-30 time period is the setting for the book, on the battlefields in the Spanish countryside. The whole fascist/communist aspect is brought up since both sides are against one another. Here again, Hemingway doesn’t idealize either side, not referring to their political beliefs but to the fact that each side is very much the same. Both sides consist of sad, depressed fools who have been shipped off to war, content to live in peace and harmony with each other. It is here that Hemingway’s first satirical punch at war comes in, when he makes it clear that both sides are human, with no clear line separating the saints from the sinner ...
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... they can be found throughout Europe at that time. (1). An early predecessor of the morality plays were the mystery and miracle plays of the earlier medieval period. (1). Of the two, morality plays were more similar in the aim of the messages and such to the miracle plays rather than the mystery plays. (1). The main difference between the morality and the miracle plays is that the morality plays were allegorical, not historical like the miracle plays. (1). The morality plays were also known to be more on the entertainment side than the miracle and mystery plays. (1). The content of the morality plays is what played a hand in the persuasion of its audience. They taug ...
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... farm and not in the war. Henry knew his mother would not want him to enlist, but it was his decision to make. He dreamed of the battles of war, and of what it would be like to fight in those glorious battles. He didn^t want to stay on the farm with nothing to do, so he made his final decision to enlist. After enlisting he finds himself in a similar situation, with nothing to do. While there he becomes friends with two other soldiers, John Wilson, ^the loud soldier / ^the friend^ and Jim Conklin, ^the tall soldier^. Wilson was a loud spoken and obnoxious soldier who becomes one of Henry^s best friends. Jim was a tall soldier and was a childhood fr ...
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... was conducted. Plato, following the early Greek philosopher Parmenides, who is known as the father of metaphysics, had sought to distinguish opinion, or belief, from knowledge and to assign distinct objects to each. Opinion, for Plato, was a form of apprehension that was shifting and unclear, similar to seeing things in a dream or only through their shadows; its objects were correspondingly unstable. Knowledge, by contrast, was wholly lucid; it carried its own guarantee against error, and the objects with which it was concerned were eternally what they were, and so were exempt from change and the deceptive power to appear to be what they were not. Plato called ...
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... Hobbes believes that at one point in time we decided to voluntarily and mutually transfer our rights to another person or group in an attempt to get out of that miserable state of war. He felt that absolute power was justifiable because of its usefulness and not on grounds of divine right. Hobbes explained that fear of violent death is the principle motive that causes people to create a state. In order to maintain a stable society, people made an unwritten “social contract.” So people chose a leader to rule them, and any attempt to break this contract is punishable by whatever penalty the monarchy may exact in order to protect his subjects from returning t ...
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... are no “real” witches. In the drama, the witch hunt put many people to the test of faith characterized by confession to being possessed to be a devil or denying it thus being hanged in front the town’s people. This is the crucible brought up in the story, where a man, John Proctor, sets out to prove Abigail and her followers to be frauds. John Proctor is a good man with a hidden past of lust with Abigail. His wife, Goody Proctor knows of this sin and never forgives him for it until the end of the story where John Proctor uses his good nature to test his faith. Even when things go wrong for him, starting with his servant Mary Warren betraying ...
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... certain parallels are drawn concerning Odysseus and Telemachos: the physical journeys, the mental preparations they have produced, and what their emotional status has resulted in. These all partake a immense role in the way the story is set up, stemming from the purpose of each character’s journey, their personal challenges, and the difficulties that surround them. The story commences when Odysseus, a valiant hero of the Trojan war, journeys back home. Together with his courageous comrades, and a several vessels, he set sail for his homeland Ithaca. Fated to wander for a full ten years, Odysseus’s ships were immediately blown to Thrace by a powerful storm. The e ...
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... writers are in novel form and thus differ highly from Shakesperian works in the literary devices and mannerisms from which they are comprised. The Tempest was written in early seventeeth century England. At this period of history and country the English language was quite different from what it is today in many ways. First, standard, formal vocabulary was different at this time. An great expample is found in the line "...you bawling, blasphemous, incharitable dog!" (act 1 sc. 1, p. 9). In this line, the word incharitable is the modern equivalent of the word uncharitable. The standard dictionary word has changed prefixes somewhere througout the centuries. Another th ...
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... of a national landmark, the Bridge of San Luis Rey) which five people were crossing at the time of the disaster. All five were killed instantly: a little boy, a young girl, a wealthy old woman, an old man, and a youth. Brother Juniper is shocked into a metaphysical thought: “If there were any pattern in the universe at all, any plan in a human life, surely it could be discovered mysteriously latent in those lives so suddenly cut off. Either we live by accident and die by accident, or we live by plan and die by plan. And in that instant Brother Juniper made the resolve to inquire into the secret lives of those five persons, that moment falling through the ai ...
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... structured the novel so that the hope for a single hero is ever-present, but the reality of such an individual actually existing is an unfortunate impossibility given the personality flaws present in each. When one speaks of unfortunate impossibilities in this novel, it is Jake's war injury that most often comes to mind first. It is appropriate, though, that this is the case, because in Jake, we find the character most often given the chance at being the hero. Hemingway evokes immediate compassion for Jake at the suggestion of Jake's sexually incapacitating war wound. By appealing to the male reader's sense of machismo (and subsequent fear of sexual inadequacy ...
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