... over the choices, I knew I had to choose to write about women, and their roles in these tales. The fact that they were involved in sex, deceit, and adultery had nothing to do with my decision. And as Oscar Wilde said, “The world is packed with good and evil women. To know them is a middle class education.” I’m certainly a believer in that philosophy! After all, that’s why I’m in school. In beginning to compare and contrast the role of women the The Wife of Bath’s Tale, by Geoffrey Chaucer, The Second Shepherd’s Play, by Wakefield Master, and Sir Gawain and the Green Knight, by Sir Gawain, one needs to look closely at the ...
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... with Lear, who is too stubborn to remain open-minded. Lear responds to Kent's opposition with, "Out of my sight!" to which Kent responds: "See better, Lear, and let me still remain" (Act I, sc I, l. 160). Kent, once banished, creates a disguise for himself and is eventually hired by Lear as a servant. The king's vision is so superficial that he is easily deceived by Kent's changed appearance. He can never see his trusted servant for whom he really is. He only learns of Kent's noble and honest character just prior to his death, when his vision is cleared. By this time, however, it is too late for an honest relationship to be salvaged. Lear's vision is also blurred ...
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... is that he will win the battle, but will lose his time of victory for the battle of his soul. After the prophecies of the witches' revealed the fate of Macbeth, the plan in which to gain power of the throne is brought up. The only way to gain power of the throne was for Macbeth to work his way to the throne, or to murder King Duncan. Murdering the king was an easier plan since the motivation in his dreams urged him on. Lady Macbeth also relied ...
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... Ophelia is inconsistent. He jumps into Ophelia's grave, and fights with Laertes in her grave. He professes "I loved Ophelia. Forty thousand brothers/Could not, with all their quantity of love,/ Make up my sum" [Act V, scene I, lines 250-253], during the fight with Laertes in Ophelia's grave, but he tells her that he never loved her, when she returns his letters and gifts, while she was still alive. Hamlet subtly hints his awareness of his dissolving sanity as he tells Laertes that he killed Polonius in a fit of madness [Act V, scene II, lines 236-250] Once Ophelia meets Hamlet and speaks with him her love abandons him. Hamlet realizes that his mother and step fa ...
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... has been all the more provoking to the former class, that each surprise was the result of art, and not of trick; for a rapid review of previous chapters has shown that the materials of a strictly logical development of the story were freely given. Even after the first, second, third, and even fourth of these surprises gave their pleasing electric shocks to intelligent curiosity, the denouement was still hidden, though confidentially foretold. The plot of the romance is therefore universally admitted to be the best that Dickens has ever invented. Its leading events are, as we read the story consecutively, artistically necessary, yet, at the same ti ...
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... other half of the story is a romantic suspense, as a romantic atmosphere starts to occur between Liz and Ted as she starts to realize that Ted is not the killer, and they end up as a couple right at the end of the story. To get into more detail about the mixture of these two classic and celebrated styles, I will use the sheet I was thankfully given by Ms. Milliorn to nit-pick at the details of these two styles. If I would have to pick one of the styles that my book more closely resembles it would be the detective story. The main character and protagonist is Liz, the sister of the recently slain movie star Lisa. She does in fact interrogate suspects and ferret o ...
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... importance of character in film. It is common in the classic Hollywood film to simply portray one principle character and create the story around him/her. However, Egoyan's Exotica differs in this respect, as he portrays five principle characters, each with separate desires, and unifies them via the complex and tangled narrative in such a manner that by the end, these people are so tightly wound up together that if you took one away, their world would collapse. After the first few scenes of the film, we are taken to club Exotica where we are introduced to Francis (Bruce Greenwood), the tax auditor. At first, we assume he is a typical man seeking entertainment of a ...
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... dark.” In True Grit, Mattie, a girl bent on avenging her father’s death, Rooster, a federal marshal, and LaBoeuf, a Texas Ranger, set off when, “It was still dark outside and bitter cold although mercifully there was little wind.” The dedication involved in the characters’ pursuits becomes more evident later on. “He is a great fish,” the old man told himself, “and I must convince him not to learn his strength…” As it was also with the Mattie from True Grit. “I knew both of them (Rooster and LaBoeuf) were waiting for me to complain or say something that would make me out to be a ‘tenderfoot.̵ ...
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... good. He was afraid of not having any special talents or abilities and and did other thi8ngs to make himself look tough. "Boy, I sat at that goddam bar till around one o'clock or so, getting drunk as a bastard. I could hardly see straight." Holden tried all he could to try to be cool he was faking it just to fit in. He drank, cursed and criticized life l to make it seem he was like he knew of his habits. I myself have found me doing this at times, also. I, at times, feel the need to fit in to a group and do things similar to what others do in order to be accepted by others, but I do have my limitations. I smoked a cigarratte once by myself cause I saw ever ...
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... individuals are not above the feeling of guilt and the havoc it causes to the psyche. Poe’s use of setting, character, and language reveal that even an insane person feels guilt. Therein lies the theme to The Tell Tale Heart: The emotion of guilt easily, if not eventually, crashes through the seemingly unbreakable walls of insanity. On the surface, the physical setting of The Tell Tale Heart is typical of the period and exceedingly typical of Poe. The narrator and the old man live in an old, dark house: “(for the shutters were close fastened, through fear of robbers)” (Poe 778). Most of the story takes place at night: “And this I ...
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