... us. They made me realize that I could learn something from how to treat people who are differnt than me. What I also liked about it was the way they never stopped trying to reach their dream. This made me think that if they could work hard for there dream why can't I. It showed me that it does not matter were you come from or what you do, it is okay to dream and work as hard as you can to reach it. For all it shows for friendship and loyalty it also shows how sometimes you have to do things you never thought you would do. For example in the end when George is forced to shoot Lennie in the head you would never have thought he would ...
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... bound to him by so many ties, with considerable disturbance, some mortification, and a keen sense of incongruity. If I could have kept him away by paying money, I certainly would have paid money.¡¨ (218) There are times when Pip lays on the self-mortification a little too thickly, and times when he appears desperate for our approval. By and large, though, he is hard on himself to exactly the right (the convincing) degree. Redemption The proof of Pip¡¦s redemption lies in good deeds rather than good words.: his secret acts of kindness, in securing Herbert a partnership in Clarricker¡¦s, and in securing Miss Havisham¡¦s good opinion of the long-suffering Matthew P ...
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... she is seeing two people staring at her. At first Mrs. Grose thinks what she is saying is ridiculous, but after careful examination she begins to agree with the governess. The governess explains in full detail what these people looked like and Mrs. Grose tells her it’s the ghosts of Peter Quint (the previous butler) and Miss. Jessel (a previous maid). Mrs. Grose may or may not see the ghosts the same as the governess. After realizing the governess is quite scared of these ghosts, she might be beginning to play a scheme to get full control over Flora. Mrs. Grose wants Flora to herself because she has no children of her own. Every time the governess see ...
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... Haskell. Preceding the accident, Fred's intense determination to hide the truth is illustrated clearly with this quote: "'I'll never tell,' he told himself. 'They'll never even suspect me.'" It is quite evident that most of the responsibility in this situation belongs to Fred. Furthermore, Fred's parents' lack of responsibility indirectly contributes to Mr. Haskell's death. Their first act of carelessness is when they neglect to keep the gun locked up in a safer place. Instead, they keep it in a location where it is easily accessible to Fred. Equally important, Fred's parents don't suspect anything unusual when he doesn't attend Mr. Haskell's funeral. They me ...
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... takes this ordinary experience and turns it into a contemplation on life. The first sign of any kind of tension is in the first six lines. The ladder, which points “toward heaven,” represents the speaker’s climb through life toward death and heaven and the barrel and apples left on the tree represent things he regrets having or not having done during his lifetime. But in line six he says that he is “done with apple-picking now,” which sounds as if he’s saying that what’s done is done and he must accept it. It is almost as if he is having a conflict within himself as to whether he should be content with his life or not. The “sleep” that the speaker mentions ...
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... when his error of judging Desdemona to be an adulteress fails him. Our closely woven relationship with this traumatised and gullible Othello causes us to suffer with him, as he experiences emotional agonies, such as the destruction of his once reputable nobility, character and marriage to the young Desdemona. Through Act II, Scene I, Othello presents himself to us as a grandly positive and content character, "It gives me wonder great as my content To see you here before me. O my soul's joy!" (Act II, Scene II). At this stage in the play Othello has also assembled his character to impose on us an impression, that he is a noble and prominent figure in the Veneti ...
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... deatyh as the lover who transports her in his carriage to be married in a proxy wedding. Dickinson uses the metaphor of a funeral as the wedding journey to eternity, setting up a system of correspondences between the changes brought about by death ans the changes in role of the unnamed partners in this spiritual love game. 'Death', to be sure, is not the true bridegroom but a surrogare, which accounts for his minor role. He is the envoy taking her on this curously premature wedding journey to the heavenly alter whre she will be mariied to God. When 'Death ' first appears as a suitor she changes from a girl to a blushing virgin. This must be a 'stealthy Wooing,' ...
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... enjoy and love the setting so that the theme may be elevated. In Edith Wharton’s Ethan Frome, Wharton first presents Starkfield as a cheery uplifting town saying, ‘The winter morning was clear as a crystal. The sunrise burned red in a pure sky, the shadows on the rim of the wood-lot were darkly blue, and beyond the white scintillating fields of far-off forest hung like smoke.’(pg.41) It also seems that whenever Mattie is around, Ethan’s view of the world improves. This is shown on his walk home from the church social with Mattie when the narration states, ‘The night was so still that they heard the frozen snow crackle beneath their ...
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... a-shouting" (I,ii,221-223). Next, To show how noble and great Caesar was, the Romans would stand along the street sides to watch him pass by. "Madam not yet, I go to take my stand; /To see him pass on to the Capitol," said the soothsayer (II,iv,25-26). Finally, Caesar had the greatest rank possible as he would have been crowned king if it wasn’t for the conspiracy’s plot. As Casca said, "Indeed they say senators tomorrow; /Mean to establish Caesar as king..." (I,iii,87-88). Shakespeare illustrated Caesar as a tragic hero by showing that he was a historical figure with a tragic flaw which lead to his death. Julius Caesar took over ...
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... him. As we read on, you learn that the first line is significant because it creates a bridge to the next line, “the brave day sunk in hideous night”(L2). Again, we need to place emphasis on Shakespeare's choice of wording. Shakespeare uses the word sunk in order to illustrate how the dark night engulfs the day. What Shakespeare is doing is using the words “hideous night” and “sunk” to form a catalogue of images pertaining to decay and passing time. The brave day sinks deeper and deeper as time on the clock marches on. Time is destruction. “When I behold violet past prime”(L.3), Shakespeare is again adding to hi ...
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