... of their caliber, as if they meant nothing to society. There was a great deal of class conflict between the family that lived on the farm, the Jones’, and the Pilkingtons. The Jones’ owed money to the Pilkingtons and they were taunted throughout the movie about it. On the other hand, the animals had personalities of their own and were holding meetings in the barn. They would discuss such things as how bad they were being treated by Mr. Jones. He was an alcoholic and drank all the time. He treated the animals poorly and put his drinking and fun before taking care of them. Sometimes they wouldn’t get fed for days. Meanwhile, Mr. Jones ...
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... the female artist in Kate Chopin's The Awakening: Birth and Creativity, Carlene Stone takes the reader through stages of Edna's struggle to become an artist showing direct correlation with her becoming and individual and in control of her own self. For example she states how Robert's encouragement while she is painting is very innocent in the beginning but eventually lead's to the awakening of her passions of her body and her falling in love with Robert. The fact that Edna falls for Robert goes against those societal roles which where followed by some many women of the 1800's. Robert plays a big role in Edna's self-development through artistry and love by being a ...
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... companion Spitz. The two of them where aimed at each others throats from the day they met. It was a constant battle of who was king of the hill, one that would end in the others death. That day came when the team was chasing a rabbit through the woods. Buck was in the lead just inches behind the prey, when Spitz took a shortcut and jumped on Buck. It was a life and death struggle, Buck was bigger, Spitz was skilled. In the End Bucks shear strength prevailed. Once the job was done, Buck was under a new owner. The duty was not to get the fastest time but to pull the most. It was grueling, heavy work each day. The team soon grew tired and slow, it was boring work and ...
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... sorts of troubles (page 181, lines 300-301). Up until World War II, women stood by the side and watched men go off to war and then waited hopefully for their return. But in the Odyssey, it is a woman who saves the day several times. The story starts with Athene interrupting the chief god, Zeus, and reminding him of Odysseus' troubles on Earth. She convinces them to back her against Poseidon, who is angry with Odysseus, and allow her to start him on his journey home. She then continues to watch him throughout the story to make sure he was safe. Everywhere he goes, she is there. In Book Five, when Odysseus is leaving Calypso's island, Poseidon is leaving Ethiopa, wher ...
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... texts. For example in The Merchant of Venice, before Bassanio is about to select the correct casket, he is urged by Portia to delay his selection in case he fails. However Bassanio wishes to continue. Portia: I pray you tarry, pause a day or two Before you hazard, for in choosing wrong I lose your company. Therefore forbear awhile. There’s something tells me (but it is not love) I would not lose you, and you know yourself Hate consels not in such a quality. But lest you should not understand my well- And yet a maiden hath no tongue but thought- I would detatin you here some month or two Before you venture for me. I could ...
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... 7, 1606, when Hal Berridge, the boy actor cast as Lady Macbeth, collapsed from a fever and later died. Shakespeare himself had to step in and play the role on short notice. The play was rarely performed again for nearly a century. The day of its London revival in 1703 was noteworthy for one of the most severe storms in English history. Because of its blasphemous content, the play was blamed for the storm's calamities, and Queen Anne ordered a week of prayer during which all theaters were closed. A catalogue of disasters Over the next two centuries the disasters continued, the curse taking its greatest toll after the Astor Place riots in New York City in 18 ...
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... their castle that night, she immediately appeals to the evil spirits, to (ironically) give her the strength to kill the king. In Act 1, Scene 7, Macbeth is doubtfull of Lady Macbeth's plot to kill the king. He doesn't think that he will be able to live with the guilt of killing his king while he is staying under his very roof, and then decides that he will not kill the king. This shows that Macbeth is thinking about what he is going to do, and shows that he does feel guilt and is weighing up the situation, unlike Lady Macbeth who never thinks twice about killing the king. When Lady Macbeth notices that Macbeth has left the room, she goes to speak to him. Macbeth f ...
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... led him to believe that he could be a King over all of Scotland if he would just do a few dishonest things to get what he wanted. ‘If chance will have me King, why, chance may crown me, without my stir.’ was gullible enough to believe the witches and thus led to his very own deception and demise. He brought himself to an even greater status than he began with but only through a gigantic web of lies which could not be untangled. He then felt lost and alone with nobody left to turn to. ‘ Life’s but a walking shadow, a poor player that struts and frets his hour upon the stage and then is heard no more.’ However was not the only influence in this great tragedy. ...
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... Queene has as its centre a hero or heroine whose task is to learn a particular virtue by facing, falling before but ultimately discovering how to master, the specific vices which beset it” (Evans 143). The second book portrays the virtue of Temperance through the knight Sir Guyon. The Fairy Queen ordered him to locate and destroy Acrasia's seductive Bower of Bliss. With his companion and guide, the Palmer, Sir Guyon completes his mission successfully, and after his encounters along the way, he becomes the virtue of Temperance. II. Body Section In order for the reader to recognize the maturation of Sir Guyon, Spenser leads him on a path of temptation. ...
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... these protagonists are somewhat comparable. They both have a guiding figure as a friend who is there to indicate them. Finally, the relationships between the protagonists and the guiding figures are the one in which the protagonist is truly guided and complimented by his best friend. The protagonist in one book is similar in nature to the one in the other book, i.e. Gene Foster from A Separate Peace and John Wheelwright from . For example, the protagonist is definitely innately good but lacks to know the very self of him. This translates into a very vulnerable and an uncertain character, who must learn from the events that occur around him. Gene is a noble name ...
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