... precise images, and he learned too, to fear romantic softness and to regard the poetic medium rather than the poet's personality as the important factor. Eliot saw in the French symbolists how image could be both absolutely precise in what it referred to physically and at the same time endlessly suggestive in the meanings it set up because of its relationship to other images. Eliot's real novelty was his deliberate elimination of all merely connective and transitional passages, his building up of the total pattern of meaning through the immediate comparison of images without overt explanation of what they are doing, together with his use of indirect references ...
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... who was living is now dead" shows the passing of the primal ceremony; the connection to it that was once viable is now dead. The language used to describe the event is very rich and vivid: red, sweaty, stony. These words evoke an event that is without the cares of modern life- it is primal and hot. A couple of lines later Eliot talks of "red sullen faces sneer and snarl/ From doors of mudcracked houses" (ll. 344-345). These lines too seem to contain language that has a primal quality to it. From the primal roots of ceremony Eliot shows us the contrast of broken ceremonies. Some of these ceremonies are broken because they are lacking vital components ...
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... by emotion, exotica, and imagination. A friend of Edgar Allen Poe, R. H. Horne, wrote of “The Raven”, “the poet intends to represent a very painful condition of the mind, as of an imagination that was liable to topple over into some delirium or an abyss of melancholy, from the continuity of one unvaried emotion.” Edgar Allen Poe, author of “The Raven,” played on the reader's emotions. The man in “ The Raven” was attempting to find comfort from the remembrance of his lost love. By turning his mind to Lenore and recalling how her frame will never again bless the chair in which he now reposes, he is suddenly overcome with grief, whereby the reader im ...
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... of the great Greek lyrists and little known female poets of the ancient world, Sappho was born soon after 630BC. Aristocratic herself, she married a merchant and had a daughter named Cleis (Robinson 24). Her wealth gave her the chance to live however she chose, and she chose to spend her life studying the arts on the isle of Lesbos which was a cultural center in the seventh century BC. Sappho spent a majority of her time here, but she also traveled extensively through Greece (Robinson 35). She spent time in Sicily too, because she was exiled due to certain activities of her family. The residents of Syracuse were so honored of her presence that to pay homage to ...
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... eases those fears and reassures everyone that everything will only be better. Celine Dion sang this song in remembrance of her infant niece. She had no children of her own at the time and was very close to her niece, who died SIDS, and she expresses her feelings for the child very eloquently in the song. In the song, she gives her niece permission to stop fighting and to fly above the clouds on an endless journey of happiness. A friend of mine introduced me to this song while I was in the hospital with my daughter. After listening to the words of this song, I made the heart-wrenching decision to take her off life support. When I brought my daughter home, I would ...
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... he turns to those objects which he regards to as outside of the temporality he, as a mortal man experiences: the perpetuating, generationless song of the nightingale and the “cold Pastoral” ageless marble scenes on the Grecian Urn, considered by may to be among the “best” of his poetry. Ex: His best poetry is composed largely of representations of representations, meditations “on” objects or texts that are themselves reflections of other artists’ creative acts (Scott, xi). The product of these artists are indeed timeless and eternal, something Keats was very aware, both in presence of other artists works and in the absence of his own. As Keats tries to create f ...
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... [ice] stir cracks and crazes their enamel." He also compares this image to that of breaking glass and compares it to the "dome of heaven" shattering. I enjoy how he offers such different interpretations for the appearance of the bark. My personal favorite is the shattering of the dome in heaven. I think this creates a vivid image for the reader. He goes on to say that once the branches are bent, they never return completely upright again, but they are so flexible that they never break. “You may see their trunks arching in the woods/ Years afterwards, trailing their leaves on the ground." These are some of the natural phenomenon’s that Frost mentions to explain the ...
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... in the seventh stanza: "Come, fill the cup. . ./ The Bird of Time has but a little way/ To flutter-and the bird is on the Wing." The entire ninth stanza describes the summer month "that brings the Rose" taking "Jamshyd and Kaikobad away", and so forth and so on ad nauseum. Again, in the fifty-third stanza: "You gaze To-Day, while You are You-how then/ Tomorrow, You when shall be You no more?" The poet seems to be in an incredible hurry to get this life going before some cosmic deadline comes due, and more than willing to encourage any of the laiety he encounters in the course of the poem to do the same. Another recurring motif throughout the poem is the time- h ...
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... and simple form. All I have to offer you is me and my love, Though both are simple I promise they are true. Even as I write this, I think of how to describe to you. Something I hardly understand, But I must tell you how I feel. So I close my eyes, And let my heart guide my hand. Perhaps the tears that falls from my eyes, Will show you my love and how much it means to me. To me our love is everything. I believe love will find it's way and show us the answers To the questions being revealed, I promise you that I will always love you And I never mea ...
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... say that she has closed out all that was her life, and is ready to pass on, when the presence of a pesky fly seems to catch her attention. The introduction of this fly - a part of the world she has closed out - signals that her life is not quite complete. Perhaps she has not succeeded in gaining final closure. There comes a time in life when it is necessary to conclude that the focus of existence is complete and decide what to do with the times that follow. The speaker considers the time following this conclusion a period for closure while waiting for her death to arrive. In lines 2-4: “The Stillness in the Room Was like the Stillness in the Air-Between the H ...
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