... in the opening scene when Henslow is being tortured with hot coal under his feet, tracking was used to show the fear and pain in his face; and the viewer develops sympathy for the character. The final camera technique that was used to show movement is called a following pan. The speed of a pan across a subject creates a particular mood as well as establishing the viewer’s relationship with the subject. For example, when all the players are in the tavern and Henslow lets out that Will has a wife Viola as Thomas gets upset and runs out of the tavern; Will runs after her and the camera follows them. The viewer can sense Viola’s pain and also Will’s pain as the camer ...
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... whether it is temporary or permanent that is used to describe a person when they don’t know the difference between right and wrong. They don’t consider the nature of their actions due to the mental defect. In William Shakespeare’s play “Hamlet” Shakespeare leads you to believe that the main character, Hamlet, might be insane. There are many clues to suggest Hamlet is insane but in fact he is completely sane. Throughout the play Hamlet makes wise decisions to prove he is not insane. He knows exactly what he is leading up to. He just delays to act due to his indecisiveness. An example of this is in Act III, section III, line 73, Hamlet says “Now might I do it pat, ...
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... see the face of the monster. Mary Shelly's Frankenstein was very different from the movies and T.V. shows. For one thing the monster was not even called Frankenstein. Victor Frankenstein was the name of the doctor who created the monstrosity. Before the doctor created the monster he was a work of art. "I had selected his features as beautiful. Beautiful!," this is what Victor said when he saw the monster before it was alive. Afterwards it was the ugliest thing the doctor had laid his eyes upon. Unlike the movies, the monster was very nimble and could do anything an actual living human could. The monster chased after Victor in the wastelands to exac ...
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... he was so mad that he wasn't aloud to leave the forbidden city to go see his mother that had just die of swallowing a opium ball, he took his mouse and through it against a wall. Towards the end he gets arrested and brought to jail for crimes he didn't commit such as trying to reform the empire. In jail the guards found that he was getting special treatment like getting his shoes tied so they moved him into confinement. He disliked jail so much that he tried to commit suicide, He did it by slighting his wrists and sticking them in hot water but a guard that use to be in the forbidden city found him and woke him up. At the end he became emperor again because the ...
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... murder Duncan by putting his manhood and courage at stake (I,7, "When you durst do it, then you were a man;/ And to be more than what you were, you would be so much more the man"). As Macbeth started degrading he lost some bravery (IV, 1, "That I may tell pale- hearted fear it lies"). In his fight with Macduff, some of his old courage and strength returned. Macbeth could be brave when it came to action but when he started thinking he would hesitate and would have to be urged into action by his wife or by the sense of security that he obtained from the prophecies of the supernatural. He changed his mind five times before murdering Duncan. The witches' prophecy that ...
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... possibly happen because he was the King of Thebes. The people of Thebes looked up to King Oedipus, everyone wanted to be like him. As the play moves into scene one, already you can see Oedipus changing. We have to remember though that this play was only a day long so he faces all of these challenges in just one day. It seems like every time King Liaos death is brought up, Oedipus always blames it on someone. Oedipus then tells everyone that the person who killed King Liaos will be put to death when found. When he says this, it tells the people that he didn’t kill him. As the play goes on he blames the death on Kreon. After that he blames Teiresias for the death. The ...
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... known far and wide by name." (Oedipus p1) He thinks he knows who is parents are and where he came from; "I am the son of Polybus of Corinth, and of a Dorian mother, Merope." (Oedipus p28) It is only after the townspeople of THebes start to get sick,and they discover the murder of Laius,that Oedipus begins his great search. Oedipus vows to his subjects that he will find the contaminator of Thebes, not knowing that he has brought on the sickness of the people; "So shall you see me, as of right, with you, venging this country and the God together. Why, 'tis not for my neighbour's sake, but mine, I shall dispel this plague-spot; for the man, whoever it may be, ...
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... out-of-touch thoughts and ideals, and older and/or without any vitality. Sister Helen showed what being a Catholic and a Catholic nun is truly about. She accepted a call for help from a complete stranger. Instead of turning away or giving up, she persisted, showing what love and, in a way, courage could do under such dire circumstances. Through it all, she did it with spirit, life, vitality, and strength. Her relationship with the convict, Matthew Poncelet, was on two levels. The first was as a friend and confidant. Sister Helen was the first to truly explore Matthew for Matthew. Others tried to learn about him, but only to vilify or condemn him. The s ...
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... diversity, and that the company isn't racist or other wise they are open to everyone and every race. They also show that they make make-up for all skin tones where as other companies just have make-up for a few skin tones. There are many questions you can ask about this advertisement by just looking at it because they don't show a lot of things in it. For example, how do we know that the girls are wearing this kind of make-up? Just because it said what kind of make-up and the names of each girl in the corner, doesn't mean that they are actually wearing it. Although since it does say there names it makes it a little more believable. Showing the girls names actu ...
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... suitor of Portia must choose either a gold, silver or lead casket, where the right choice will allow the suitor to marry her. The Prince of Morocco, on choosing the beautiful gold casket with the inscription, "Who chooseth me shall gain what many men desire," sees the message, "All that glisters is not gold," and is thus turned away by Portia. The Prince of Arragon, on choosing the silver casket with, "Who chooseth me shall get as much as he deserves," receives a fool's head, and is told that that is what he deserves. Bassanio however, on correctly choosing the lead casket with the inscription, "Who chooseth me must give and hazard all he hath," says, "The worl ...
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