... writes of him having “kind, tender hands” and a “face that had never looked save with love upon her.” And yet Mrs. Mallard seems almost grateful for his death and the chance to be free from her husband and marriage. One can say this is another reason why she should not be considered a sympathetic figure. But in fact those are the few signs that indicate Mrs. Mallard is completely without compassion. However, there is much more evidence in the story to suggest Mrs. Mallard should be viewed as a favorable character. The author states that after Mrs. Mallard was told of her husband’s death, “She wept at once, with a sudden, wild abandonment, in her sister’s ar ...
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... for Justice Rosenberg. Shaw then tells her professor who she is having an affair with that she is going to try and find out who murdered them. They show the President talking with his advisor and they are saying if the FBI can not solve who killed the Justices then maybe they should get someone else. After a while they go back to Gray who is on the telephone, with an unknown person at the time, and is talking about the murders and the person on the telephone is saying that he knows who killed the Justices. He traces the phone call to a pay phone and then goes there and takes pictures of him, which comes in hand later in the movie. Then Thomas is ...
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... the precarious nature of "fame" noting the unreliable process of attaining it and its potentially momentary existence. Every creator with their respective work/s naturally crave and desire "fame"; they want their subjects to remain fresh in the minds of their audience. Chaucer, while neither totally praising the written nor the oral, reveals how essentially the written word is far more likely to become eternal as opposed to the oral. The relative "fame" of any work is dependent on many factors. Many traditional and classical ideas result in the formation of the English canon, yet as Chaucer indicates, the "fame" of these works can easily become annihilated. The ar ...
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... comes home from work to find Mildred lying deathlike on the bed in the darkness listening earplugs. The room is described as not empty and then empty indeed, because she is physically there, but her thoughts and feeling are elsewhere. Montag will not turn on the lights in the bedroom and will not open the window to let in outside light, even though he feels as if he cannot breathe in the room with the windows closed. Mildred suffers from a hidden melancholy which she cannot consciously accept and which leads to her overdose on sleeping pills without knowing she is doing it; this same inner pain which manifests itself in unconscious acts of self-distruction affect ...
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... in the guest room of a friends house she hears “a soft thump, as though a heavy object had fallen to a carpeted floor.” Then there is “silence sifted down like a snowfall.” Pg.23. Things become suspenseful already. As mentioned in a book review by Mark Harris, Chyna doesn’t act like a horror-movie teenager and run into the hall. She does like most of us would do; she hides under the bed. Koontz really makes it feel like you could be the one squished under that bed. When the killer leaves the room Chyna searches the house undetected and finds her friend and everyone else had been brutally but quietly murdered. With revenge burning inside her, she rides undete ...
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... (qtd. in Kirzner & Mandell 81). The descriptions of her house “lifting its stubborn and coquettish decay above the cotton wagons and the gasoline pumps--an eyesore among eyesores” (qtd. in Kirzner & Mandell 80) showed a comparison of the past and present while also showing a representation of Emily herself. “The house smells of dust and disuse and has a closed, dank smell.” (qtd. in Kirzner & Mandell 81). A description of Emily in the following paragraph discloses her similarity to the house. “She looked bloated like a body long submerged in motionless water, and of that palled hue” (qtd. in Kirzner & Mandell 81). It notes in the story that she had not always had t ...
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... is a drug dealer with a lot of money to waste. He's also the only person with the information to catch the chain killer. To get justice the moral must cooperate with the immoral. We also know that Tanner is not a womanizer. He had his chance with Hannah but did not take advantage of the situation: "No Hannah"(136). Tanner had more worrisome thoughts than making love to a good friend. He wanted the murderer of all murderers, the chain killer. As a cop he never captured the chain killer. This person fused chains to people's bodies and then threw them into the water. For Tanner who was now a retired cop, it was as if a spark lit up in him. All the old memories fled ba ...
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... two major kinds of believers at the time. There were those who believed that all were equal and that all had souls that were to be treated with compassion, and those who argued that God had created them superior to all blacks. Keep in mind that Mrs. Stowe was living through all of what is in her story. So while providing social, political, and religious commentary, she also spatters her work with racism and subtle bigotry that would not be found in most modern writing. Uncle Tom's Cabin is a novel about how trust in God can conquer great obstacles, including the pain of slavery. The main character shows this to us through the story of his life. He is a gentle, ...
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... year in Mr. Grave’s barn and another year underfoot in the post office, and sometimes it was set on a shelf in the Martin grocery and left there.” Death is not something that people deal with everyday. Human beings deal with death very similar to the way that the towns people stored the black box. People place their experiences with death in different rooms and shelves of their hearts. The black box also symbolizes the need for a new tradition and the reluctance of the townspeople to accept change. The black box is a symbol of the lottery itself. The physical appearance of the box suggest that it was not only the black box that needed to be replaced but the tra ...
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... The boys use the masks to hide their lust for blood, killing, and death from their consciences. When going to hunt for the first time, "Jack hid, liberated from shame and self-consciousness" because he knew that his manner of hunting was evil and would only lead to lascivious killing. While describing that hunt to the boys, Jack was "twitching" and "shuddering" as he talked. He knew it was wrong. Eventually all the savages hid behind their masks when their lust for killing climaxes on the manhunt for Ralph. Throughout all of the story, all hunting, killing, and shedding of blood was done while hidden by masks. The mask, to whoever wears it, makes the boy unkn ...
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