... These thoughts are quickly changed, though, as Nature begins to start the punishment for his crimes commence when there is, "Water, water, everywhere nor any drop to drink." He is punished harshly for killing the symbol of nature that everyone reveres. He is beaten down by the sun with its rays and is taunted by the endless sight of water that he cannot drink. Nature is the force in this poem that has power to decide what is right or wrong and how to deal with the actions. The mariner reconciles his sins when he realizes what nature really is and what it means to him. All around his ship, he witnesses, "slimy things did crawl with legs upon the slimy sea" and ...
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... it to his congregation, but somehow can never quite manage this. He is a typical diagnosis of a "wuss". To some extent, Dimmesdale's story is one of a single man tempted into the depths of the hormonal world. This world, however, is a place where the society treats sexuality with ill grace. But his problem is enormously complicated by the fact of Hester's marriage (for him no technicality), and by his own image of himself as a cleric devoted to higher things. Unlike other young men, Dimmesdale cannot accept his loss of innocence and go on from there. He must struggle futilely to get back to where he was. Torn between the desire to confess and atone the coward ...
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... destroy every last part of normal society that remains on the island. The second part is life and death. In this case, Jack represents death. This is first symbolized by Jack’s black choir cloak, since black is associated with death. When Jack first appears, he comes out of the “darkness of the forest” and Ralph, the symbol of goodness, cannot see Jack’s face because his back is to the sun. Darkness can be another symbol of death. Also, blood is something that we often can relate with death, and Jack is obsessed with killing the pigs on the island and shedding their blood. The blood shows how Jack turns into a savage, since at first ...
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... Without no communication Jerry has to relay on body language and actions. When Jerry sees the boys swimming in the water below and the pop out on top of the rocks he decides to check it out and see what down there. He saw a black tunnel which was very dark and gloomy. As Jerry tries to swim through it, he becomes afraid and scared and decides to go back. As he came up for air he saw the boys snickering at him and Jerry decided he must do this to impress the boys and have them like him. Jerry is not one who asks people for gifts or money but to him this was very important. So he asked his mother to buy him some goggles so that he could swim. After the boys w ...
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... is we do not need the wall. And, to stress the point, the speaker facetiously adds: He is all pine and I am apple orchard. My apple trees will never get across And eat the cones under his pines, I tell him. One may find far-reaching connotations in this poem. As well as that it states one of the greatest difficulties of our time: whether national walls should be made stronger for our safety, or whether they should be let down, since they impede our progress toward understanding and eventual common humanity. "Mending Wall" can also be considered a symbolic poem. In the voices of the two men the younger, capricious, "modern" speaker and the old-fashione ...
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... (How to Fold One Thousand Cranes). The Kan no mado (Window on Midwinter), a comprehensive collection of traditional Japanese figures, was published in 1845. The name origami was coined in 1880 from the words oru (to fold) and kami (paper). Previously, the art was called Orikata. Meanwhile, paper folding was also being developed in Spain. Arabs brought the secret of paper making to North Africa, and, in the eight-century AD, the Moors brought that secret to Spain. The Moors were devoutly Muslim and their religion forbade the creation of representational figures. Instead, their paperfolding was a study of the geometries inherent in the paper. After the Moors wer ...
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... people of the town, whether it be the town as a whole or a specific place. For example, Starkfield was a dreary town, "buried under snow, silent and incommunicative as the characters (Nevius 136)." Even Ethan’s farmhouse was symbolic of himself. The "L" of the farmhouse was like that of his own body, shrunken and weak (Nevius 136). Ethan himself represented Wharton’s idea of a honorable man in the nineteenth century. He has admirable qualities, such as integrity, ambition, and wisdom (Magill 531). It is his sense of morals and responsibility that continuously prevents him from leaving Zeena and joining Mattie to a better life for himself (Nevius 132). He is ...
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... grower's committee meeting, the gardener, Manuel, took Buck away from his home. Buck was then sold, and thrown in a baggage car. This would be the beginning of a new, cruel life for Buck. On his ride to wherever he was going, Buck's pride was severely damaged, if not completely wiped out by men who used tools to restrain him. No matter how many times Buck tried to lunge, he would just be choked into submission at the end. When Buck arrived at his destination, there was snow everywhere, not to mention the masses of Husky and wolf dogs. Buck was thrown into a pen with a man who had a club. This is where Buck would learn one of the two most important laws that a ...
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... taking for example the giggling, like the laughter of demons...or they were ringed in a tight little circle, like mourners around an open grave. Irony also exists in this story. Sidley seems to be the ideal teacher, who is efficient at her job and knows how to keep her students quite in class, when actually she is the one who has a disturbing behavior and ends up surprising her colleague in school when she is found about to kill one more child. King also used an interesting style to introduce a new character to the story: Buddy Jenkins was his name, psychiatry was his game. As soon as we read it, we immeadiately know he will have a destiny such as Sidleys becau ...
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... a special place. It was a shrine where the archbishop Thomas A. Becket was murdered in 1170. This was the pilgrimage the twenty nine characters would make. They would start at the Tabard Inn in Southwark, which is near London. The characters in this story tell the stories themselves. This style of writing is called framework. There are twenty-four different stories told by the characters who interact with each other throughout the entire tale. The stories are mostly old familiar ones revamped and retold with the Chaucer style. Most of the stories relate some kind of moral lesson or value. The story starts out with a prologue where Chaucer introduces al twe ...
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