... school late at night to take a leak or something and then wrote it on the wall. I kept picturing myself catching him at it, and how I'd smash his head on the stone steps till hew as good and goddam dead and bloody." (201) His deep concern with impeccability caused him to create stereotypes of a hooligan that would try to corrupt the children of an elementary school. Holden believed that children were innocent because they viewed the world and society without any bias. When Phoebe asked him to name something that he would like to be when he grew up, the only thing he would have liked to be was a "catcher in the rye." He invented an illusion for himself of a strange ...
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... of the guilty men. The armies of Brutus and Cassius set up camps near another city and knowing that Antony's soldiers are coming, they decide to march toward the enemy at once. The fighting begins with the confrontation of the two sides, as Cassius' and Brutus' armies arrive. Antony and his partner challenge the assassins to fight, and the bloody battle begins. The armies of the conspirators fall into vulnerability many times, and their side does poorly, losing many men. Cassius hears mistakenly that one of his important soldiers has been captured, loses hope, and commits suicide, while Brutus feels that his army has been cornered, and throws himself onto a ...
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... to emphasises Hedda's masculine traits. Hedda displays no emotion or affection towards her husband Jorgen. This appearance of indifference is a trait that is usually common to men: Tesman - "My old morning shoes. My slippers look!...I missed them dreadfully. Now you should see them, Hedda." Hedda - "No thanks, it really doesn't interest me'. In another gender role reversal, Hedda displays a financial awareness, which her husband, Jorgen does not posses. Although Brack corresponds with Tesman about his honeymoon travels, he corresponds with Hedda concerning the financial matters. This is a role that is usually reserved for men. Hedda does not only display traits, whi ...
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... that does not exist. The speaker tells the mistress how long his love will grow, and how vast it will become. He changes his tone after this stanza in order to effectively explain why he is unable to love her in such a manner: "But at my back I always hear / Time's wingéd chariot hurrying near; / And yonder all before us lie / Deserts of vast eternity" (21-24). This is another paradoxical quote that the speaker utilizes to effectively develop appreciation for this poem. The speaker argues that the mistress should not waste her youth like those before who are unable to taste new experiences because they are now dead. In the second stanza, the speaker utilizes pa ...
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... Montag is described as a "minstrel man" (4). He is a fireman who "never questioned the pleasure of watching pages consumed by flames." (Back cover). He is a brave individual who decides to rebel against society. Montag meets a crazy and imaginative seventeen-year old girl named Clarisse McClellan. She tells him of a time when firemen used to put out fires instead of making them. After that, Montag and the other firemen burn a house filled with books and burn its owner. "They crashed the front door and grabbed at a women, though she was not running , she was not trying to escape." (38). This incident makes Montag start to think that there is something important ...
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... me when I bought this dress" (Laurence 29). She mentions that her feet are hurting and how she is tired. She likes the dress mainly because it is silk material. Doris on the other hand does not think that it is real silk and not worth buying. Inspite of what Doris thinks she buys the dress anyway. Going against her wishes is what started all the bad occurrences related to the lilac silk dress. The first occurrence in the novel is when she wears the lilac silk dress at the dinner table with Marvin and Doris. Are living with Hagar in her houseand she notices something is wrong. "What is it ? I want to shout the question impatiently at the face. Instead I fold my h ...
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... that, in order to be good, a man "…ought not to calculate the chance of living or dying; he ought only to consider whether in doing anything he is doing right or wrong - acting the part of a Good man or of a bad." From his writings in "The Cave" and the "Apology," Plato shows his belief in an absolute, unalterable Good which man should prize above all else. Conversely, Nietzsche feels that there are two different sets of morality dependent on class, meaning that the nature of good is relative. Nietzsche outlines these two systems of morality in "Good and Evil Reconsidered." The noble man, according to Nietzsche, follows a master morality and "…is the arbi ...
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... many of the same characteristics as humans. One characteristic of the gods which is apparent is jealousy. Aphrodite seems to be jealous of Artemis because Hippolytus worships Artemis as the greatest of all gods, while he tends to shy away from worshipping Aphrodite (10-16). This is important because it sets in motion the actions of the play when Aphrodite decides to get revenge on Hippolytus. The divine relationship between the gods is a bit different, however. Over the course of the play, Artemis does not interfere in the actions of Aphrodite, which shows that the gods, while divine, do have restrictions; in this case, it shows the gods cannot interfere with each ...
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... forget the gift of life and make inhumane decisions. As in the medical procedures of euthanasia and abortion. As Richard A. McCormick stated, "The most basic value in the practice of medicine is obviously the sanctity of live." (21) Alodus Huxley’s novel, A Brave New World deals with many controversial moral conflicts. From the beginning of the novel when Huxley introduces us to his world with ectogenesis (test tube babies) which is one of the most controversial religious and ethical dilemmas (Huxley, 1-17). Among the many other issues in A Brave New World are the Anthrax bomb (and germ warfare in general), hypnopaediae (implanting subconscious prejudice ...
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... When the speaker was a child, he used to be under the where the strings were tingling since his mother was playing the . He used to press his mother’s feet, which were in balance. His mother was singing with a smile on her face. The speaker sees this scenery in his mind. As a reader, I can even imagine him standing in a dark room looking at a woman singing and imagining his old days with his mother. Using the picturesque words such as “softly,” “dusk,” “tingling,” and “poised” describe the scene very clearly. As he sees the woman singing while she plays the , he begins to picture himself under the when he was little, and he pictures his mother singing whi ...
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