... , Mythology, and Legend the term can be defined as "comprising of traditional creations of peoples, primitive and civilized. These are achieved by using sounds and words in metric form and prose, and include also folk beliefs or superstitions, customs and performances, dances and plays. Moreover, is not a science about a folk, but a traditional folk-science and folk-poetry" (Balys, 255). The term "folk" means "working class, marginalized, and grassroots" (Montenyohl, 230). The term traditionally meant, according to Montenyohl, community-based, orally transmitted, and historically rooted (230). is an "integral part of American culture and are told and believed b ...
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... For Barthelme, what is lost is unrecoverable. Pessimism, mostly expressed in taking death naturally, spreads uniformly all over the story, from the first paragraph about the orange trees to the last when the new gerbil enters the classroom. In this school, where the children are supposed to receive education, everything dies. The fish, the salamander, and the orange trees die though children take much care of them. The teacher is pessimistic although life goes on and a new gerbil walks in the school. Edgar says that "life is that which gives meaning to life," but still this does not change that Edgar knew that the puppy would die in two weeks. He had se ...
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... important part in the plot of the book are a symbol as well. They, have always, as least as far as I know, had a special message. A message of love, tranquillity, joy and they represent the harmony of nature itself. In the first stage of the book, we may see how a problem, the earthquake, has made the people in the star loose a vast amount of flowers. They lost some of the tranquillity and joy that had invaded their lives. And when they look for a messenger to go find flowers, they’re talking about re-finding the tranquillity and lack of fear that they wanted. I believe that the burials, actually represent life. It may sound a bit peculiar, but in real life once ...
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... him seemingly since the time of his birth. Wharton openly implores us to admire Ethan's endurance of his unfortunate life, as she paints a compassionate picture of him with a "look in his face that neither poverty nor physical suffering could have put there". We are led to feel pity for the man who, as a last resort, married Zeena, in an "unsuccessful attempt to escape the silence, isolation, and loneliness" of living a life where social acceptance was had at the cost of his own happiness. From the outset, Wharton creates warmth of feeling between readers and the character of Mattie. She creates an imagery of Mattie that emphasises all the qualities that she a ...
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... less impressive would that moment be when the Director, understandably at the end of his rope with the greedy characters (who have been from the start trying to coerce him into writing a script for non-union wages), shouts "Reality! Fantasy! Who needs this! What does this mean?" and the audience, in unison, shouts back, "It's us! We're here!" The moment immediately after that, when the whole cast laughs directly at the audience, pointing at them in glee, is nearly unbearable for an audience, as shown by the riot after the first performance, when the audience not only ripped the seats out of the theater, but stole the popcorn. Pirandello also used a tec ...
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... Major represents Karl Marx, an old European revolutionary who praised the people who struggled against the Russian autocracy. His ideas on the torture of animals by Man represent Marxism. The first step of the revolution was the corruption of Mr. Jones, the irresponsible farm owner who lacked leadership. When the animals are left unfed one night, they help themselves to the feeding bins so they will not starve. Mr. Jones tries to stop them but he can not overpower the animals, and soon Mr. Jones, his wife, and all his men are driven right out of the farm. Mr. Jones is representing Czar Nicholas II. Believing firmly in his duty to preserve absolute power in the Rus ...
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... dew as e'er my mother brushed/ With raven's feather from unwholsome fen/ Drop on you both!" (1.2.324-326). These lines show how Caliban speaks in the same eloquent tongue that Prospero speaks with. His lines are long and his words are filled with imagery: "wucked dew", "unwholesome fen", "raven's feather".Caliban doesn't in the play ever seem to be at a loss for words when describing his situation. Later in Act 1 Scene 2 Caliban describes how he once the island was his. Caliban acts like a tour guide for the reader describing the water, berries, toads, and beetles of the island. In this passage through language Caliban is able to once again recreate the past wh ...
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... were not only seen in the priest, but were equally shown in the doctor. The doctor represents the greed in society. He too, is a heartless and self-seeking man. He is a villain without any redeeming qualities or traits. As proof, the Doctor says, " Have I nothing to do than cure insect bites for little Indians?…I alone in the world am supposed to work for nothing-and I am tired of it. See if he has any money!" (P.294) "He is a client of mine…The doctor looked past his aged patient and saw himself sitting in a restaurant in Paris and a waiter was just opening a bottle of wine." (P.301) Under these conditions, greed in the doctor is definitely shown. With all ...
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... secret, they all wanted a piece of him. Mark knew he was in trouble so he did t! he only thing he knew possible, which was get a lawyer. The lawyers’ name was Reggie Love, a woman. Mark despised Reggie at first, knowing that a woman was not capable of fullfilling his needs, like a man could. Then something happened where Reggie grew on him, he got more used too her, and he found himself telling her personal things, spending tons of time with her, and starting to care for her. She was like the mother figure he never had. Mark and Reggie were in the tangle of mess together. Mark realized through the whole ordeal he could not do everything by himself, he also reali ...
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... is worse than sitting down here in Hell and that we should attack Heaven for that reason. I can surely think of some things worse. Do you think that sitting here with each other, talking to each other, and being armed is the worst thing possible? I think not. What about when we laid in the burning lake? That surely was worse. What if the air that keeps those hot fires going blew seven times as hard and covered us in flames? Or if, from above, vengeance's arm should come down upon us and plague us? What if all of the holes in Hell were opened and fire shot out of every crevasse? War, I think, is a bad idea. How can we overthrow the being who knows everythi ...
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