... shows his "hesitancy of the decision" (Barry 13) when it is stated "Though as for that, the passing there / Had worn them really about the same" (line 9-10). It seems as if he is expressing an "inability to turn his back completely on any possibility" (Barry 13) of returning when the poems reads "Oh, I kept the first for another day!" (line 13). He also knew that the possibilities of him actually returning to ever walk the path not chosen were very slim. He made a decision and "took the other" (line 6) path. It is obvious that these two roads in the woods symbolize paths in life and choices that people make in the journey of life itself. Decisions that people ma ...
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... of women, who are able to share together the burdens and joys of motherhood. The way Harwood presents to us the women in this poem are that through childbirth they have been bought closer together and have become emotionally stronger. There is no mention of the husband's in the poem which also leads the reader to believe that the women are independent and strong. The opening two stanzas are very reflective of their times together. "Sing, memory, sing those seasons in the freezing suburb of Fern Tree, a rock-shaded place with tree ferns, gullies, snowfalls and eye-pleasing prospects from paths along the mountain-face" The first stanza in particular describes ...
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... beat fast. If I meet you suddenly, I can't speak- my tongue is broken." She wishes that she had the same relationship with her love that he has. The Greeks believed that love was so strong of an emotional feeling that it could have physical effects. In the poem, the speaker becomes ill from loving so much. She is hurt inside because she is not with her love, and the emotional pain transforms to physical effects. "I drip with sweat; trembling shakes my body and I turn paler than dry grass. At such times death isn't far from me." The speaker goes so far as to consider dying because of the emotional pain she is feeling inside. She gets physically sick from hur ...
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... the speaker uses hyperboles when describing in the fifth tercet that she lost "two cities...some realms I owned." Since she could not own, much less lose a realm, the speaker seems to be comparing the realm to a large loss in her life. Finally, the statement in the final quatrain "Even losing you" begins the irony in that stanza. The speaker remarks that losing this person is not "too hard" to master. The shift in attitude by adding the word "too" shows that the speaker has an ironic tone for herself in her loss or perhaps her husband or someone else close to her. Language and verse form show in "One Art" how the losses increase in importance as the poem progres ...
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... in this poem. It is almost as if the poem is a suspended moment of realization of one man's life, "spread out against the sky". The imagery of the patient represents Prufrock's self-examination. Furthermore, the imagery of the "etherised patient" denotes a person waiting for treatment. It seems this treatment will be Prufrock's examination of himself and his life. Prufrock repeats his invitation and asks the reader to follow him through a cold and lonely setting that seems to be the Prufrock's domain. The imagery of the journey through the city is described as pointed to lead the reader (and more accurately Prufrock) to an overwhelming question. Prufrock's ...
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... of the poem and the feeling of melancholy. Both articles helped me to understand “Melancholy” better. They also convinced me that Robert Burton had an influence on Keats’s poem. In Keats’s Ode on Melancholy, Gaillard explains that the original “Melancholy” was composed of four stanzas, the first of which Keats’s decided to remove before the poem was published. According to Gaillard, the original “stanza did survive in Brown’s transcripts, but many critics have made only passing references to it, avoiding discussion of the structure, language, theme and imagery of the poem as a full four-stanza work”(19). Gaillard believes that the deleted first stanza’s inclus ...
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... The tone of the poem turns reproachful, dark, as the clocks' chime tells of the world that is powerless before time. To say that " vaguely life leaks away," the author is possibly attempting to covey that every moment lost cannot be retrieved, that every second that goes by is a second closer to the death of the body and to the death of love. The images of the frozen, cracked landscapes, and the crack in the teacup are examples of lost, passed time. The verdant valleys shall always be sheathed in snow, they cannot resist; and the teacup, once cracked, cannot be mended. All that is left is the memory of that thing still whole, and even those fade with the unh ...
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... have written a paragraph or more on. For example, "Shake hands forever, cancle all our vows" sums up very concisely the idea of the break being forever, with no possibility of a reconciliation, whilst also adding to the ease of understanding and therefore also to the meaning of the poem. Another constraint of the sonnet is the length of the lines themselves. In a sonnet, the rythem is always iambic pentameter, which means that there must always be ten syllables per line, with each second syllable being stressed. Where the author breaks this pattern, it must obviously be for a good reason, when the author wants a certain word or syllable to be stressed. This in i ...
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... (line 3), and picture the inky blackness as it covers everything except for a “few weeds and stubble showing last” (line 4). The image of him standing alone on the barren snowy landscape with weeds as his only companions, creates a lasting picture in the mind of the reader, of a man just beginning to reveal his inner “darkness”. As the second stanza begins, the speaker has reached the borderline of the quickly darkening woods, and it seems as though he has paused in his walking, as if to stop and ponder his own vacancy and loneliness. In lines five and six, Frost alludes to what may be the cause of the speaker’s inner vacancy: “The woods around it have it – i ...
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... to hide But now that I look he's nowhere to be found Now I wonder what's to become of me The future is uncertain and clouded People tell me that I soon will see That my eyes will no longer be shrouded In my youth I was my own guide But now i'm an adult along for the ride ...
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