... With no expression, nothing to express". Whiteness and blankness are two key ideas in this poem. The white sybolizes open and empty spaces. The snow is a white blanket that covers up everything living. The blankness sybolizes the emptyness that the speaker feels. To him there is nothing else around except for the unfeeling snow and his lonely thoughts. The speaker in this poem is jealous of the woods. "The woods around it have it - it is theirs." The woods symbolizes people and society. They have something that belongs to them, something to feel a part of. The woods has its place in nature and it is also a part of a bigger picture. The speaker is so alo ...
Words: 1047 - Pages: 4
... have written a paragraph or more on. For example, "Shake hands forever, cancle all our vows" sums up very concisely the idea of the break being forever, with no possibility of a reconciliation, whilst also adding to the ease of understanding and therefore also to the meaning of the poem. Another constraint of the sonnet is the length of the lines themselves. In a sonnet, the rythem is always iambic pentameter, which means that there must always be ten syllables per line, with each second syllable being stressed. Where the author breaks this pattern, it must obviously be for a good reason, when the author wants a certain word or syllable to be stressed. This in i ...
Words: 861 - Pages: 4
... who the real woman is. This conclusion came from his poem #79, Lesbius est pulcer. In that poem he accuses Lesbia of incestuous relations with her brother, Lesbius. The name Pulcer is a pun on the real name of Clodia’s brother, P. Clodius Pulcer. Pulcer was known not only for being a violent politician, but was also rumored to have had incestuous relations with one or more of his three sisters. All three sisters, including Clodia, were known to not have strong moral characters and acted out of the class they were born into. Although there is no real proof of Lesbia being a pseudonym for Clodia, critics have agreed that this is the most likely of whom the wom ...
Words: 1512 - Pages: 6
... minds is significant, for the mind is the freest part of the individual. The body may be constrained by the environment, by other bodies, by health, or any number of other restraints. The heart, which is to say the emotions , are pulled this way and that by the influence of others. Even the soul, according to predestinists, is limited by the supply or lack of divine grace. Not so the mind; it is the only part of the individual which may truly be said to be free. Weakness is also illustrated in the repetitions in the first and second stanza: " I wander through each chartered street, Near where the chartered Thames does flow, ...
Words: 648 - Pages: 3
... passage conveys a resplendent physical sense of coldness as someone is frozen to death: "This is the Hour of Lead-- Remembered, if outlived, As Freezing persons, recollect the Snow-- First--Chill--then Stupor--then the letting go--" The innovative diction in this passage creates an eerie atmosphere all by itself. The effect of this passage is reminiscent of the famous macabre monologue at the end of Michael Jackson's Thriller. Dickenson also excellently portrays the restlessness of the mourners in this following passage: "The Feet, mechanical, go round-- Of Ground, or Air, or Ought--" Describing the feet as "mechanical" shows the agitation and displaceme ...
Words: 621 - Pages: 3
... emotions of Romeo and Juliet were caught through poetry. After reading this work you can either walk away sympathetic or jealous of the love they had. Poetry is also a mystery. How is one to tell whether Shakespear intended for the reader to feel sympathetic or jealous when he wrote “Romeo and Juliet”? Poetry allows the reader to explore his own emotions and judge his own heart and desires because they have been brought to his attention by the poetry. Overall, poetry is an outlet. It allows us to express the unfathomable thoughts that race through our human minds. The writer gains support from the reader. The audience, however, must be able to de ...
Words: 644 - Pages: 3
... in education opportunities (Granner, 616). One major downfall and factor of the twentieth century was World War I. This was had pulled up new roots that were "buried in the past," causing multiple conflicts between nations (Granner, 611). The war reflects the bitterness and troubles put on twentieth century poetry. The poets wrote of science fiction, anti-war protagonists, and ridicule of authority. Leading poets in the twentieth century are D.H. Lawrence, James Joyce, Joseph Conrad, Dylan Thomas, and H.G. Wells. D.H. Lawrence views on nature are more humanistic, rather than natural. He loves individuality and "inner self" (Magill, 1686). His writing were pure ...
Words: 1336 - Pages: 5
... not! At least, if he's smart. So how is his beloved like a flower? The rose is relatively rare and delicate; it needs to be treated with care. Being "newly sprung" implies that, as a fresh bloom, the rose is young. So what do these traits have to do with his beloved? Maybe she's uncommon ("rare"). Maybe she should be treated with courtesy and gentleness. Maybe she's young, or young to love (innocent), or just new to him. So translating the images takes quite a bit of time and thought to figure out what meanings probably fit the poem's context and to reject those that probably don't. Eventually, readers probably try to work out a complete paraphrase of the ...
Words: 824 - Pages: 3
... and auditory images to mainly help the romantic, fantasy-like place. “The sea is calm, the tide is full” and “Of pebbles which the waves draw back, and fling,” is an example of images that appeal to the visual sense. While “ Where the sea meets the moon-blanched land” and “With tremulous cadence slow, and bring...” uses an auditory sense. “Come to the window, sweet is the night air,” can apply to both senses. Sweet can mean angelic or precious to qualify to be an visual image, or it can mean almost like a melodious tune. Illusions are used in this poem as deception for the girl that the man is trying to hold a non-romantic conversation with. A theory is p ...
Words: 477 - Pages: 2
... demonstrated in stanza 5. He was self-conscience about being lost; so his concern may have been why his thoughts were voiced through his horse. Yet, he made no attempt to leave the woods immediately. We learn that the speaker's character is similar to the tone of the poem. For instance, the topic of the poem is about a snowy evening in the woods, which could be viewed as pleasant and easy going as oppose to a hot summer evening in the city which is most often busy and frantic with lots of things to do. In addition, the speaker is obviously a loner, in that he takes this journey by his self. That is an example of him being a solitary person who is not confro ...
Words: 530 - Pages: 2